The Mentor: Belgium the Brave, Vol. 8, Num. 3, Serial No. 199, March 15, 1920 — John Shaqi
The Mentor: Belgium the Brave, Vol. 8, Num. 3, Serial No. 199, March 15, 1920Wood, Ruth Kedzie
History
The Mentor: Belgium the Brave, Vol. 8, Num. 3, Serial No. 199, March 15, 1920
Wood, Ruth Kedzie
Belgium -- Description and travel
celebrations of every sort.
WRITTEN FOR THE MENTOR BY RUTH KEDZIE WOOD
ILLUSTRATION FOR THE MENTOR. VOL. 8, No. 3, SERIAL No. 199
COPYRIGHT, 1920, BY THE MENTOR ASSOCIATION. INC.
[Illustration: GUILD HOUSES OF THE 17TH AND 18TH CENTURIES SURROUND
THIS ANCIENT SQUARE
FLOWER MARKET ON THE GRAND PLACE, BRUSSELS]
_BELGIUM_
_Town Life_
FIVE
It is befitting that a city more than fourteen hundred years of age
should present many dignified aspects--that its buildings should be
wreathed in the mists of antiquity, and that its traditions should be
hallowed. Brussels--“a manor near the marsh”--is shrined in a niche of
the ages, its pre-medieval garments clothe it richly. Yet the manners
of the Belgian capital are modern, and the life there, while based
on Flemish custom, is compared, with reservations, to the life of
Paris. The presence of the Court at the Royal Palace near the center
of the city, and at Laeken, the favorite residence of the King and
Queen, distant a few miles in the country, has its effect upon the
conduct of Brussels society. However, the city is largely given over to
middle-class habits and its chief pleasures are centered in the home.
It is the custom for nearly everyone in the city to rise soon after
daybreak. Housekeepers, even those highly placed in the Brussels world,
go early to market. Beneath the florid gables of the _Grand’ Place_,
white-capped farm-women sit behind their stalls of dewy vegetables
and cheese and butter and home-grown posies, while the noise of
barking dray-dogs, stabled in a neighboring street, obtrudes upon the
bargaining. The men are in their places of business by half-past eight.
At noon all Brussels dines, heavily and well; food prices, in peace
times, are never excessive. After supper those that seek diversion
outside their homes visit the Flemish and French theaters, or the
Opera, or they go to a café where, over a convivial cup or glass,
they listen to a well-chosen program of orchestral and organ music.
Sometimes a member of the Opera company appears, or an instrumentalist
in popular favor. The checker-board is in evidence; some of the patrons
write letters, others read native and foreign journals, supplied by
the management.… By half-past ten the room begins to empty. The good
burghers of Brussels, their wives and their children take their way
homeward, and to bed.
Religious fetes and historical pageants are enjoyed with true Flemish
zest. One of the things the plain people of Brussels like best to do
is to dress in the costume of various periods the quaint “manneken”
that surmounts a fountain behind the City Hall. This little bronze
figure has been alternately decked with the colors of conquerors and
revolutionists since it was erected just three hundred years ago. In
the year of Our Lord 1918 it put off forever, let us hope, the insignia
of the Teutons for the Belgian red, yellow and black.
Public-domain text, read in full here on John Shaqi.
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