The Mentor: Joan of Arc, v. 3, Num. 22, Serial No. 98, January 1, 1916Tarbell, Ida M. (Ida Minerva)
History
The Mentor: Joan of Arc, v. 3, Num. 22, Serial No. 98, January 1, 1916
Tarbell, Ida M. (Ida Minerva)
Joan, of Arc, Saint, 1412-1431
Her sympathy for the afflicted poor of the country was as genuine as
her devotion to the king. They knew it, and no little of her power
came from their perception. There was no shadow of self-seeking in
her; she never asked honor or wealth or pleasure. There were clever
and designing ones who sought to trap her with such baubles,--a
well-known and usually quite successful method of sidetracking
troublesome people with ideas of their own,--but Joan was quite
outside of all worldliness. It looked small and thin to one who
consorted with saints and followed the orders of the Most High. What
she took of the gifts showered upon her she gave to the poor. When at
the coronation the king told her to ask what she would, she asked that
Domrémy be freed forever from taxes.
[Illustration: BLESSING THE STANDARD OF THE MAID
After the painting by Michel]
She was devout. No Catholic in France was more faithful to the church,
no one partook of its holy mysteries with more humility or with more
worship in his heart.
[Illustration: HOUSE IN ORLEANS OCCUPIED BY THE MAID]
But good and devout and charitable as she was she was no colorless
person. There are numerous delightful human outbreaks recorded in the
documents of her life. She wept like an ordinary girl when she
received her first wound. She flew often into a passion when her
commands had been disobeyed. She was particularly hard on the wanton
women who followed the camp, often herself chasing them off. Once she
broke a sword over the head of one, and again killed one by the blow
she gave.
She guarded her own divine prerogative with quite human jealousy. As
there were many women prophesying in those days, a company of them
were enlisted to help the king after Joan's first success. Joan never
liked them. "Folly and futility," was her characterization of the work
of the most prominent of these women, Catherine de la Rochelle. "Send
her home to her husband and children," was her order. A common enough
point of view of the Maid who has made a career for herself and sees a
married woman seeking to do the same! However, in Catherine's case
Joan suspected fraud, and there seems to have been reason.
THE END OF HER MISSION AND CAPTURE
[Illustration: THE VICTORIOUS ENTRANCE INTO ORLÉANS
From the painting by J. J. Scherrer]
Public-domain text, read in full here on John Shaqi.
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