The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915 — John Shaqi
The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915Hoeber, Arthur
History
The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915
Hoeber, Arthur
Painting -- United States; West (U.S.) -- In art
THE MENTOR 1915.06.15, No. 85,
Painters of Western Life
LEARN ONE THING
EVERY DAY
JUNE 15 1915 SERIAL NO. 85
THE
MENTOR
PAINTERS
OF
WESTERN LIFE
By ARTHUR HOEBER
Author and Artist
DEPARTMENT OF VOLUME 3
FINE ARTS NUMBER 9
TWENTY CENTS A COPY
Play the Game
[Illustration]
“Suppose,” said Thomas Huxley, “it were perfectly certain that the life
and fortune of every one of us would, one day or other, depend upon
his winning or losing a game of chess. Don’t you think that we should
all consider it to be a primary duty to learn at least the names and
the moves of the pieces? Do you not think that we should look with a
disapprobation amounting to scorn upon the father who allowed his son,
or the State which allowed its members, to grow up without knowing a
pawn from a knight?”
* * * * *
“Yet it is a very plain and elementary truth that the life, the
fortune, and the happiness of every one of us, and more or less of
those who are connected with us, do depend upon our knowing something
of the rules of a game infinitely more difficult and complicated than
chess. It is a game which has been played for untold ages, every man
and woman of us being one of the two players in a game of his or her
own. The chessboard is the world, the pieces are the phenomena of the
universe, the rules of the game are what we call the laws of Nature.”
* * * * *
“The player on the other side is hidden from us. We know that his play
is always fair, just, and patient. But also we know to our cost that
he never overlooks a mistake or makes the smallest allowance for
ignorance. To the man who plays well the highest stakes are paid, with
that sort of overflowing generosity which with the strong shows delight
in strength. And one who plays ill is checkmated--without haste, but
without remorse.”
[Illustration: COURTESY KNOEDLER & CO.
THE LAST STAND. BY FREDERIC REMINGTON]
“THE LAST STAND,” by Frederic Remington, a strong and
stirring picture of a dramatic incident in army life,
is the subject of one of the intaglio-gravure pictures
illustrating “Painters of Western Life.”
FREDERIC REMINGTON
Monograph Number One in The Mentor Reading Course
Remington’s life was as full of vigor and action as his pictures.
Outdoor life and athletic sports were always a hobby of his. When he
was at Yale he was on Walter Camp’s original football team, when Camp
was practically inventing the American game, and Remington assisted him.
Public-domain text, read in full here on John Shaqi.
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