Other pupils of that noted illustrator have attained distinctive positions in portraying varied forms of Western life. The legends and traditions of the Indian have attracted Remington Schuyler. The pictorial aspect of his active life in the open, together with his contact with wild animal life, has supplied subjects for Philip Goodwin; while the life of the frontiersman and the pioneer has inspired the sturdy work of Allen True and Harvey Dunn. These five men have pictured the West in the same large spirit in which their master worked in rendering the buccaneers of the sea and the continental soldier. Most of the painters of the West have been illustrators first and painters later. At Cody, Wyoming, for a large part of the year lives William R. Leigh. He was born in West Virginia in 1866. He was a pupil of the Munich art schools, and received medals in Paris. He has painted much of the West that has passed,--of Indian and soldier, of settler and cowboy, of some of the battles of the ’60’s between the United States troops and the savages,--and has given some of the wonderful landscape backgrounds, devoting no less attention to the extraordinary local color than to the figure. [Illustration: THE HOUSE OF E. IRVING COUSE At Taos, New Mexico] Edward W. Deming, who has both painted and modeled the Indian, executed some years ago a large decoration for the home of Mrs. E. H. Harriman, at Arden, New York, with the title “The Hunt,” showing the red men after big game. Similarly Maynard Dixon has executed decorative work of the Indian for some California homes. His training was through several years of illustrative work for the magazines, and in this work he always had a distinctly decorative composition of his subject, though his rendering was realistic and virile. [Illustration: WISEMAN, WARRIOR, YOUTH By E. L. Blumenschein]