The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916Finck, Henry T.
History
The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916
Finck, Henry T.
Composers -- Russia; Music -- Russia -- History and criticism
Igor Stravinsky was a pupil of Rimsky-Korsakov. One day the young
composer played for his teacher a few bars of the music of one of his
ballets. The older man halted him suddenly: “Look here,” said he.
“Stop playing that horrid thing; otherwise I might begin to enjoy it!”
This ballet was one of the works that made Stravinsky famous. Igor
Stravinsky was born on June 17, 1882, at Oranienbaum, near Petrograd,
Russia. The date of his birth has been disputed, but this date is the
one given by Stravinsky himself. He was the son of Fedor Ignatievich
Stravinsky, the celebrated singer who was associated with the Imperial
(Maryinsky) Theater in Petrograd. Igor was destined to study law, but
at the age of nine he was already giving proofs of a natural musical
bent; and in particular he showed an aptitude for piano playing. To the
study of this instrument he devoted a great deal of time, under the
instruction of a pupil of Rubinstein.
In 1902, when Stravinsky was twenty years old, he met Rimsky-Korsakov
at Heidelberg--a meeting which marked an epoch in his life. The older
composer had much influence on the career of Stravinsky. Their views on
music differed greatly, however.
Stravinsky worked hard. He attended concerts, visited museums and read
widely. Rimsky-Korsakov, though alarmed at the revolutionary tendencies
of his pupil, predicted for him great success. During the years 1905
and 1906 Stravinsky worked at orchestration. At this time his friends
were members of the group surrounding Rimsky-Korsakov, including
Glazounov and César-Cui.
On January 11, 1906, Stravinsky married. Soon after his marriage he
finished a symphony which was performed in 1907 and was published
later. Following this, in 1908, came his “Scherzo Fantastique,” which
was inspired by a reading of Maeterlinck’s “Life of the Bee.”
When Rimsky-Korsakov’s daughter was married in 1908 Stravinsky sent his
composition, “Fire Works,” a symphonic fantasia, which, curiously, had
been submitted for the approval of an English manufacturer of Chinese
crackers. However, before the gift arrived by mail Rimsky-Korsakov
died. As a tribute to his master’s memory Stravinsky composed the Chant
Funèbre.
In 1909 Stravinsky wrote “The Nightingale,” a combination of opera and
ballet, based on Hans Christian Andersen’s fairy tale of the same name.
This was produced in 1914.
Then came the discovery of Stravinsky by the director of the Russian
ballet, Serge de Diaghileff. The young composer was commissioned
to write a ballet on a Russian folk story, the scenario of which
was furnished by Michel Fokine. Leon Bakst and Golovine, the scene
painters, collaborated with him. This ballet, “The Fire Bird,” was
finished on May 18, 1910, and produced three weeks later. This
production established Stravinsky’s reputation in Paris.
Public-domain text, read in full here on John Shaqi.
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