The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916 — John Shaqi
The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916Finck, Henry T.
History
The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916
Finck, Henry T.
Composers -- Russia; Music -- Russia -- History and criticism
In America the missionary work has been carried on in a number of
ways. Rubinstein toured the States in 1872, and gave 215 concerts,
which created a tremendous sensation and drew attention to Russian
compositions. Tchaikovsky visited America as the special guest of
the festival given in celebration of the opening of Carnegie Music
Hall in 1891, and during his visit, many pieces of Russian music
were performed. Slivinsky, the pianist, made a tour of America, and
Chaliapin, the celebrated Russian bass, appeared for one season at
the Metropolitan Opera House. For several years the oldest orchestra
of America, the New York Philharmonic, had for its conductor one
of Russia’s leading musicians, Wassilly Safonoff, who frequently
introduced novelties from Russia into his programs. On a larger scale,
Russian standard works have been performed in New York City and on tour
in America, by the Russian Symphony Orchestra, which was founded in
1893 and conducted by Modest Altschuler.
* * * * *
During the 90’s, Mme. Lineff brought over the large Russian choir that
made Americans acquainted with their peasant songs and their unique
way of singing them. Then came the Balalaika Orchestra. The Balalaika
is the Czar’s favorite instrument, and the Imperial Balalaika Band,
which came to the United States by the Czar’s permission, devoted
itself largely to Russian folk music. Several of the numbers played,
especially the “Song of the Volga Bargemen,” made a sensational success
in concert. The Balalaika is used to accompany folk songs in the manner
of a guitar, but the Balalaika has a triangular body and only three
strings, which are made to vibrate like those of a mandolin.
And now we have the Russian Ballet, made familiar to the American
public by the famous dancer Pavlowa, and, within the last year, by the
Diaghileff Ballet Company, of which the leading spirits are Stravinsky,
the composer; Leon Bakst, the master designer, and Massine, the
accomplished actor-dancer. Surely the day of Russian music has come.
[Illustration: W. D. Moffat
EDITOR]
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