The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916Finck, Henry T.
History
The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916
Finck, Henry T.
Composers -- Russia; Music -- Russia -- History and criticism
The plot of this opera was based on the following story: In 1613 the
Poles invaded Russia and attempted to assassinate the newly elected
Czar, Michael Romanoff. The Polish leaders, however, did not know where
to find the Czar. Without letting him know who they were, they asked a
peasant, Ivan Soussanin, to guide them to the monarch. Ivan, however,
suspecting their designs, sent his adopted son to warn the Czar, and
himself led the Poles to the depths of a forest from which they could
not possibly find their way. The Poles, when they saw that they had
been deceived, killed Soussanin.
This opera was the turning point in Glinka’s life. It was a great
success, and in a way became the basis of a Russian school of national
music. The opera enjoyed extraordinary popularity. In December, 1879,
it reached its 500th performance, and in November, 1886, a special
production was given, not only at Petrograd, but in every Russian town
that had a theater, in celebration of the 50th anniversary of its first
performance. It was presented at two theaters in Moscow at the same
time.
Glinka had married in 1835, but misunderstandings arose which finally
ended in a separation some time afterward.
His second opera, “Ruslan and Ludmilla,” did not appear until 1842.
It did not appeal to the popular taste and was a dismal failure.
Glinka thought that it was superior to his first, and he was bitterly
disappointed at its failure.
In 1845 he made his first visit to Paris, and later he went to Spain.
After two years in that country he returned to Russia, where he spent
the winter at his home, and then went to Warsaw, remaining there for
three years. In 1852 Glinka started for France, paying another visit
to Berlin on the way. When, however, war broke out in the Crimea in
1854, he returned to Petrograd. While there he became interested in
church music. In order to study this type of music he went to Berlin in
1856. This was his last journey. Early in January, 1857, the composer
Meyerbeer arranged a special concert devoted to Glinka’s works. On
leaving the hall the Russian contracted a chill. He died on February
15, 1857. Glinka was buried in Berlin. Three months later, however, his
body was taken to its present resting place in Petrograd. A monument
was erected to his memory there in 1906.
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 4, No. 18, SERIAL No. 118
COPYRIGHT, 1916, BY THE MENTOR ASSOCIATION, INC.
[Illustration: ANTON RUBINSTEIN]
_RUSSIAN MUSIC_
_Anton Rubinstein_
TWO
Public-domain text, read in full here on John Shaqi.
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