The Mentor: The Incas, vol. 6, num. 3, Serial No. 151, March 15, 1918Hardy, Osgood
History
The Mentor: The Incas, vol. 6, num. 3, Serial No. 151, March 15, 1918
Hardy, Osgood
Incas
Although the number of traditions concerning the origin of the Inca
empire is legion, the two best known are the Titicaca (tee-tee-kä´-kä)
and Tampu-tocco (täm-poo-tok´-ko) legends. The former has been given
us by the immortal Prescott, relying on the Commentaries of the Inca
Garcilaso de la Vega (gär-sil´-ä-so day lä vay-gä). From him we know
there was a time when the ancient races of the continent were all
plunged in deplorable barbarism. “The Sun, the grand luminary and
parent of mankind, taking compassion on their degraded condition, sent
two of his children, Manco Ccapac (män´-ko k-kä´-päk) and Mama Occlo
(mä´-mä ok´-klo), to gather the natives into communities and teach them
the arts of civilized life. The celestial pair, brother and sister,
husband and wife, advanced along the high plains in the neighborhood
of Lake Titicaca to about the 16th degree south. They bore with them a
golden wedge, and were directed to take up their residence on the spot
where the sacred emblem should without effort sink into the ground.
They proceeded but a short distance--as far as the valley of Cuzco
(koos´-ko), the spot indicated by the performance of the miracle; there
the wedge speedily sank into the earth and disappeared forever. On this
spot the children of the Sun established their residence, and laid the
foundations of the city of Cuzco.”
[Illustration: RUINS OF PATALLACTA
Showing niches with holes for bar locks in the upper room of the temple
on top of the rock]
[Illustration: INCA FORTRESS WALL, SACSAHUAMAN
The gigantic size of the stones and the precision with which they are
fitted, without mortar, bear testimony to the engineering genius of the
Inca megalithic builders]
The Titicaca myth, however, does not receive as much consideration
today as the Tampu-tocco (täm´-poo-tok´-ko) myth. The former is
characterized by the late Sir Clements Markham as an obvious invention
to account for the ancient ruins and statues in the vicinity of
Tiahuanaco (tee-ä-wane-ä´-ko), and on the islands of Titicaca and
Koati (ko-ä´-tee). “It has no historical value,” he says, “while the
Tampu-tocco myth is as certainly the outcome of a real tradition, and
is the fabulous version of a distant historical event.”
[Illustration: CUZCO, PERU
PALACE OF THE INCA ROCCA
A large gravure picture of this massive structure will be found in The
Mentor (No. 132) on “Peru”]
Public-domain text, read in full here on John Shaqi.
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