The Mentor: The Wife in Art, Vol. 1, Num. 28, Serial No. 28Kobbé, Gustav
History
The Mentor: The Wife in Art, Vol. 1, Num. 28, Serial No. 28
Kobbé, Gustav
Artists -- Relations with women; Artists' spouses
So Fra Filippo became a great painter. When he went to Prato and saw
Lucrezia Buti he was already nearly fifty years old, while she was
hardly more than twenty. She also was an orphan. Her father, who had
been a silk merchant in Florence, left his daughters in the care of
Antonio Buti: evidently a harsh guardian, for he put Lucrezia and
Spinetta, both beautiful girls, into the convent of Santa Margherita
against their will, in order to save himself some expense. Filippo
saw her, used her as a model, and later married her by permission of
the Pope. The virgins and saints of his paintings had a new spiritual
radiance after he saw Lucrezia’s face. He used her for all manner
of subjects, from the Virgin to the “Dancing Daughter of Herodias,”
changing her features to suit as many different characters.
PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 1, NO. 28, SERIAL NO. 28
[Illustration: HELENA FOURMENT. BY RUBENS]
_THE WIFE IN ART_
_Peter Paul Rubens and Helena Fourment_
THREE
The extraordinary beauty of Helena Fourment won for her the love of
a world famous painter when she was only sixteen years old. Peter
Paul Rubens married this girl, and immortalized her charms on many a
precious canvas. It was a most fortunate match. Helena was not only
beautiful; she had also every attraction of nature and education, and
belonged to a wealthy family. Rubens was a widower, and one of the most
celebrated painters in Europe. More than that, he was a distinguished
and successful statesman.
Fortunate throughout his life, brilliant, handsome, and of good family,
Rubens was never in doubt of his future. His talent for painting
showed itself in boyhood. At the age of twenty-three he went to Italy,
where he soon attracted the notice of the Duke of Mantua. Partly as
art expert, partly as diplomat, he went in the Duke’s service to all
the important cities of Italy. He spent eight years in that country,
sometimes painting for his patron, but more often travelling on
political missions.
Recalled to Antwerp by the serious illness of his mother in 1608,
Rubens arrived too late to see her again alive, and, no doubt feeling
the strength of home ties, resigned from the service of the Duke
immediately. High positions and great honors awaited him in his native
city. His fame grew year by year.
Isabella Brandt became his wife in 1608. She is described as a rather
heavy Flemish woman, and her face and figure appear frequently in
Rubens’ work of that period. After her death and before his second
marriage he was called upon to arrange terms of peace between England
and Spain. It was the most important event of his life. In Spain he
met Velasquez and earned the friendship of King Philip. He was honored
in England by Charles I, who presented him with a string of valuable
diamonds in appreciation of his services. The painter also strengthened
a friendship already established with the Duke of Buckingham.
Public-domain text, read in full here on John Shaqi.
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