Most children are born with a certain understanding of the beautiful and a longing for it. They “want to know,” and they listen eagerly as long as anyone can tell them something that is interesting as well as informing. That is the attitude of mind that The Mentor addresses itself to, whether it is the mind of a child or of a grown-up. We have had plenty of assurances that The Mentor has interested and helped older readers. It is most gratifying to learn of the benefit that The Mentor is bringing to young readers--to have word from our readers that the children in the school or in the home are enjoying The Mentor. One reader tells us that he is taking The Mentor particularly for his children. “I want them to grow up with it,” he says. That interests us deeply. We want The Mentor to be a real factor in the life of the home, and a real part of the education of the young generation. [Illustration: PORTRAIT OF A YOUNG WOMAN--DÜRER] _DÜRER AND HOLBEIN_ _The Young Artist_ ONE Albrecht Dürer was born on May 21, 1471, at Nuremberg, Germany. His father was named Albrecht Dürer also. He was a goldsmith, who at the age of forty married his master’s daughter, who was only fifteen years old. In spite of the difference in their ages, the marriage was a happy one, and was blessed with eighteen children, of whom Albrecht was second. As a boy he showed himself more worthy of an education than any of his many brothers, and was apprenticed to a goldsmith. But he wanted to become an artist, and, being his father’s favorite son, his wish was granted. So at the age of fifteen he was apprenticed to the principal painter of Nuremberg, Michael Wohlgemuth. Here, as one of the artist’s assistants, he turned out little sketches of religious subjects, and some woodcuts for book illustrations. He had a hard time, as his companion apprentices were a rough crowd, and took great delight in making young Dürer suffer. In 1490 he finished his apprenticeship, and began his “years of travel.” These lasted until 1494. He visited Colmar, Basel, Strasburg, and other German cities. Shortly after his return in July, 1494, he married Agnes Frey, who was a good wife for him. She was an excellent housekeeper and a shrewd business woman. They had no children. But Dürer had not been married more than a few months when he decided to make a journey to northern Italy to complete his artistic education. He was very poor, and the great expense of such a trip made it necessary for him to leave his wife behind. He did not stay away long. Sometime in 1495 he returned to Nuremberg, where he lived without change for the next ten years. Like many another artist, Dürer had his early struggles against poverty and indifference. Painting did not pay; so he turned to wood and copper engraving, and in this way made a fair living.