_This was the assembly hall of the great council, which consisted of all members of the nobility over twenty._] In one room you will find yourself gazing from a window at a sight that will be familiar to you; though you may never have traveled before. You will exclaim when you see it, “The Bridge of Sighs!” A corridor nearby leads you to the bridge. You will take it, and find that it conducts you across from the Palace of the Doges to the prison, where are to be seen the gloomy walls as well as the torture chamber and the place of execution of former days. The Bridge of Sighs is best known in Venice, and the reason for it is chiefly sentimental. The Council of Ten of the Middle Ages is supposed to have sent doomed state prisoners across this bridge to their execution. We gather that these unfortunates saw the light of day for the last time when crossing the bridge. The thought is enough to seize upon the imagination of visitors, and many of them indulge themselves in sympathetic reveries when there. The interior of the Bridge of Sighs is gloomy enough to start creepy feelings; but there is no need of wasting too much sentiment on it. W. D. Howells calls it a “pathetic swindle.” As a matter of fact, there is no evidence that any great number of prisoners, or any prisoner of importance, ever crossed there. [Illustration: BRONZE WELL, DOGE’S PALACE] Aside from any sentimental reason, however, the Bridge of Sighs is most interesting architecturally. It was built in 1600. It is attractive in design, and it makes a good picture, connecting with fine lines the two grim buildings on each side and bridging over the long, narrow canal beneath. PICTURESQUE WATERWAYS The canals of Venice are of varying width, and as they wind through the city they offer picturesque nooks and corners that have from the earliest times captivated the eye of the artist. F. Hopkinson Smith, a long-time devotee of Venice, has painted several hundred pictures, and at that has drawn but lightly on the possibilities of the subject. Little canals in deep shadows, wider canals in sunlight, some straight, some curved, and at various points picturesquely bridged, supply effects in light and color that the eye greets with delight. THE GRAND CANAL [Illustration: THE CHURCH OF SANTA MARIA DELLA SALUTE _Erected in 1641-56 in commemoration of the removal of the plague in 1630. The interior contains excellent paintings by Titian._]