She stood there, still motionless, until his step sounded on the front
walk; then she ran upstairs and knelt by the window that overlooked the
yards. She saw him enter the office. A few moments, and the two men who
had been with Stenzenberger came out and walked away. A half-hour,
and still Joe was in there with the lumber merchant. An hour--and then
finally he appeared, glanced back at the saloon, and walked hurriedly
around the corner out of sight. And she knew that he had slipped away
from her. The photograph was still in her hand, and now she looked at it
again, scornfully, bitterly.
A man entered the saloon below, and she did not hear him until he fell
to whistling a music-hall tune. At something familiar in the sound a
peculiar expression came over her face, and she threw the picture on the
floor and hurried down. When she entered the sample room, her eyes were
reckless.
The man was young, with the air of the commercial traveller of the
better sort. He was seated at one of the tables, smoking a cigarette.
His name was William Beveridge, but he passed here by the name of
Bedloe.
“Hello, Madge,” he said; “what's the matter--all alone here?”
“Yes; Mr. Murphy's down town.”
“And McGlory--where's he?”
“He's out too.”
He looked at her admiringly. Indeed, she was younger and prettier, for
the odd expression of her eyes.
“Well, I'm in luck.”
“Why?” she asked, coming slowly to the opposite side of the table and
leaning on the back of a chair.
But in gazing at her he neglected to reply. “By Jove, Madge,” he broke
out, “do you know you're a beauty?”
She flushed and shook her head. Then she slipped down into the chair,
and rested her elbows on the table.
“You're the hardest person to forget I ever knew.”
“I guess you have tried hard enough.”
“No--I couldn't get round lately--I've been too busy. Anyhow, what was
the use? If I had thought I stood any show of seeing you, I would
have come or broken something. But there was always Murphy or McGlory
around.” He could not tell her his real object in coming, nor in
avoiding the two proprietors, who had watched him with suspicion from
the first. “Do you know, this is the first real chance you've ever given
me to talk to you?”
“How did I know you wanted to?”
“Oh, come, Madge, you know better than that. How could anybody help
wanting to? But”--he looked around--“are we all right here? Are we
likely to be disturbed?”
“Why, no, not unless a customer comes in.”
“Isn't there another room out back there where we can have a good talk?”
Public-domain text, read in full here on John Shaqi.
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