We decided to walk down the hill instead of riding down in the
_finiculaire_, down the stairs which form another of the pictures in
_Louise_, with the abutting houses, into the rooms of which one looks,
conscious of prying. And you see the old in these interiors, making
shoes, or preparing dinner, or the middle-aged going to bed, but the
young one never sees in the houses in the summer.... It was early and
we decided to dance; I thought of the Moulin de la Galette, which I
had visited twice before. The Moulin de la Galette waves its gaunt
arms in the air half way up the _butte_ of Montmartre; it serves its
purpose as a dance hall of the quarter. One meets the pretty little
_Montmartroises_ there and the young artists; the entrance fee is not
exorbitant and one may drink a bock. And when I have been there,
sitting at a small table facing the somewhat vivid mural decoration
which runs the length of one wall, drinking my brown _bock_, I have
remembered the story which Mary Garden once told me, how Albert Carre
to celebrate the hundredth--or was it the twenty-fifth?--performance
of _Louise_, gave a dinner there--so near to the scenes he had
conceived--to Charpentier and how, surrounded by some of the most
notable musicians and poets of France, the composer had suddenly
fallen from the table, face downwards; he had starved himself so long
to complete his masterpiece that food did not seem to nourish him. It
was the end of a brilliant dinner. He was carried away ... to the
Riviera; some said that he had lost his mind; some said that he was
dying. Mary Garden herself did not know, at the time she first sang
_Louise_ in America, what had happened to him. But a little later the
rumour that he was writing a trilogy was spread about and soon it was
a known fact that at least one other part of the trilogy had been
written, _Julien_; that lyric drama was produced and everybody knows
the story of its failure. Charpentier, the natural philosopher and the
poet of Montmartre, had said everything he had to say in _Louise_. As
for the third play, one has heard nothing about that yet.
Public-domain text, read in full here on John Shaqi.
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