The Messiah of the CylinderEmanuel, V. R. (Victor Rousseau)
Philosophy
The Messiah of the Cylinder
Emanuel, V. R. (Victor Rousseau)
Science fiction
London seemed to be smaller than the metropolis of a century ago. I
could see from the height of Hampstead, in the north, to the region of
Dulwich, and from Woolwich to Acton, all clearly defined, like a great
map unrolled beneath me, though I could recognize none of the old
landmarks, save the unchanging Thames. The interior city was laid out in
squares, huge buildings, sometimes enclosing interior courts, occupying
the blocks formed by the parallel and intersecting streets. As we drove
inward from the outskirts, the buildings became higher, but always
uniformly so, the city thus presenting the aspect of a succession of
gigantic steps, until the summit, the square mile comprising the heart,
was reached.
This consisted of an array of enormous edifices, with fronts perfectly
plain, and evidently constructed of brick-faced steel-work, but all
glistening a dazzling white, which, even at that height, made my eyes
water, and rising uniformly some forty-five or fifty stories. The flat
roofs were occupied by gardens or what I took to be gymnasia, sheltered
beneath tarpaulins. I saw innumerable airplanes at rest, suspended high
above the streets, while others flitted here and there above the roofs,
and a whole fleet lay, as if moored, some distance away, apparently over
the center of the city, above a singular building, which awakened
associations in my mind, though I was unable to name it.
It had a round dome, being, in fact, the only domed building that I
could see. This covered only the central portion of the enormous
architectural mass, and appeared to float in the air above an aerial
garden, laid out with walks that radiated from a flat building, which
filled the space between the floating dome and the roof beneath it. I
surmised that this must be the new House of Parliament. The entire mass
was surrounded by a double wall, with a roofed space of perhaps ninety
feet from rear to front, castellated. Mounted on this were what appeared
to be a number of large, conical-shaped implements, of great size. Long,
graceful bridges on arches connected this wall with the domed building;
and wall and building glistened from top to base so brilliantly that the
glow seared my eyes like sunlight.
As we were now flying at a low altitude, I turned my attention to the
streets, which appeared like canyons far beneath. Along these swarmed a
multitude of travelers, dressed in two colors only, white and blue, the
latter vastly predominating. I could see no vehicles, and I imagined,
what proved to be correct, that the streets themselves were moving. Most
of those journeying seemed content to lean back against the railings,
the lowest bars of which projected, forming a continuous seat, and rest.
Nearly all the streets were traveling in the same direction, those that
reversed this movement being small and comparatively empty. From the
presence of what seemed to be iron stanchions, set along the edges of
these moving ways, I surmised that they were roofed with crystal.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account