The Metal Moon
By EVERETT C. SMITH and R. F. STARZL
Based upon the Fourth Prize ($10.00) winning plot of the
Interplanetary Plot Contest won by Everett C. Smith, 116 East St.,
Lawrence, Mass
[Transcriber's Note: This etext was produced from Wonder Stories
Quarterly Winter 1932. Extensive research did not uncover any
evidence that the U.S. copyright on this publication was renewed.]
[Illustration: The ship was now coming close to the vast curve of the
crystal city. The earthmen became aware that the part below the city
level was a dull ugly black.]
* * * * *
[Illustration: EVERETT C. SMITH]
[Illustration: R. F. STARZL]
In this story, the joint product of two imaginative minds, we get a
very unusual picture of some of the possibilities of interplanetary
exploration.
We know that as soon as interplanetary travel is possible,
expeditions from the earth will be ranging the length and breadth of
the solar system searching out the thousands of wonders that are to
be discovered.
It is quite possible that some of the explorers, whether through
accident or desire, may colonize the other planets and develop under
new and unusual conditions a new branch of the human race. It is
doubtlessly true that if each of the solar planets were to be
colonized, at the end of several hundred centuries there would be
nine races of human beings who might differ radically from each
other and in fact might not recognize each other as members of the
same human stock.
In this story we do not see nine races but we do see four of them
and Mr. Starzl has united the four in a gripping narrative of the
great spaces.
THE METAL MOON
The three men in the tiny space ship showed their apprehension as they
watched the gravity meters. Something was distinctly wrong with the
ship.
"Are you sure that there isn't some undiscovered moon of Jupiter?" asked
the youngest of them. He was only about 25, which was very young indeed
when his scientific attainments were considered, even for the human
race's stage of intellectual development in 1,000,144 A. D. His figure
was stocky, powerful, his face rather thin, bold, with piercing black
eyes. He was naked, save for short, brilliantly red trunks of metalsilk.
His name, "Sine," followed by a numerical identification code, was
tattooed indelibly in thin, sharp characters on his broad, bronze-hard
chest.
The man at the ampliscope removed his head from the eyepiece and shook
his head impatiently. His body was bronzed and spare, but the complete
absence of hair on his head made him look older than the 48 years
indicated by the code following the name on his chest, "Kass."
Public-domain text, read in full here on John Shaqi.
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