Billy Price came down shortly afterward, clad in a khaki hunting suit,
with knee kilts and button-pockets and gun-pads and Cossack
cartridge-loops. She joined him in a stroll down the beach, and talked
to him about the coming winter season, with its leading personalities
and events,—the Horse Show, which opened next week, and the prospects
for the opera, and Mrs. de Graffenried’s opening entertainment. When
they came back it was eleven o’clock, and they found most of the guests
assembled, nearly all of them looking a little pale and uncomfortable
in the merciless morning light. As the two came in they observed Bertie
Stuyvesant standing by the buffet, in the act of gulping down a tumbler
of brandy. “Bertie has taken up the ‘no breakfast fad,’” said Billy
with an ironical smile.
Then began the hunt. The equipment of “Black Forest” included a granite
building, steam-heated and elaborately fitted, in which an English
expert and his assistants raised imported pheasants—magnificent
bronze-coloured birds with long, floating black tails. Just before the
opening of the season they were dumped by thousands into the
covers—fat, and almost tame enough to be fed by hand; and now came the
“hunters.”
First they drew lots, for they were to hunt in pairs, a man and a
woman. Montague drew Miss Vincent—“Little Raindrop in the Mud-puddle.”
Then Ollie, who was master of ceremonies, placed them in a long line,
and gave them the direction; and at a signal they moved through the
forest; Following each person were two attendants, to carry the extra
guns and reload them; and out in front were men to beat the bushes and
scare the birds into flight.
Public-domain text, read in full here on John Shaqi.
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