The Microscope. Its History, Construction, and Application 15th ed.: Being a familiar introduction to the use of the instrument, and the study of microscopical scienceHogg, Jabez
History
The Microscope. Its History, Construction, and Application 15th ed.: Being a familiar introduction to the use of the instrument, and the study of microscopical science
Hogg, Jabez
Microscopy; Natural history
_Glass_ of any kind requires occasional cleaning; a piece of soft
washed chamois leather should be used for this purpose. The fronts of
the objectives may be carefully wiped, but not _unscrewed_ or tampered
with; a short thick-set camel’s hair brush may be passed down to
the back lens, and all dust removed without doing any harm. If the
objective is an _immersion_, carefully remove the fluid from the front
lens, as even distilled water will leave a stain behind. For removing
oil see special directions given at page 171.
When cleaning the _eye-pieces_, which should be done occasionally, the
cells containing the glasses must be unscrewed and replaced one at a
time, so that they may not be made to change places.
Any dirt upon the _eye-pieces_ may be detected by turning them round
whilst looking through the instrument; but if the _object-glasses_ are
not clean, or are injured, it will, for the most part, only be seen by
the object appearing misty.
The _object-glasses_, when in use but not on the microscope, should be
stood upon the table with the screw downwards, to prevent dust getting
into the lenses, and they should always be put into their brass cases
when done with. A large bell-glass shade will be found the most useful
cover for keeping dust from the instrument when not in use.
When looking through the eye-piece be sure to place the eye in close
proximation to the cap, otherwise the whole field will not be perfectly
visible; it should appear as an equally well-illuminated circular disc.
If the eyelashes are reflected from the eye-glass, the observer is
looking upon the eye-piece, and not through it.
_The Mirror._--The working focal distance of the mirror is that which
brings the images of the window-bars sharply out upon the object
resting upon the stage. In other words, the focus of the mirror is that
which brings parallel rays to a correct focus on the object-glass.
If employing artificial light, then the flame of the lamp should be
distinguishable; a slight change in the inclination of the mirror will
throw the image of the lamp-flame out of the field.
Public-domain text, read in full here on John Shaqi.
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