As all the rays refracted at the surface _l a l′_ converge accurately to _f_, and as the circular surface _l a′ l′_ is perpendicular to every one of the refracted rays, all these rays will go on to _f_ without suffering any refraction at the circular surface. Hence it should follow, that a meniscus whose convex surface is part of an ellipsoid, and whose concave surface is part of any spherical surface whose centre is in the farther focus, will have no appreciable spherical aberration, and will refract parallel rays incident on its convex surface to the farther focus. [Illustration: Fig. 17.--Aplanatic Doublet.] The spherical form of lens is that most generally used in the construction of the microscope. If a true elliptical or hyperbolic curve could be ground, lenses would very nearly approach perfection, and spherical aberration would be considerably reduced. Even this defect can be further reduced in practice by observing a certain ratio between the radii of the anterior and posterior surfaces of lenses; thus the spherical aberration of a lens, the radius of one surface of which is six or seven times greater than that of the other, will be much reduced when its more convex surface is turned forward to receive parallel rays, than when its less convex surface is turned forwards. It should be borne in mind that in lenses having curvatures of the kind the object would only be correctly seen in focus at one point--the mathematical or geometrical axis of the lens. =Chromatic Aberration.=--We have yet to deal with one of the most important of the phenomena of light, CHROMATIC ABERRATION, upon the correction of which, in convex lenses in particular, the perfection of the objective of the microscope so much depends. Chromatism arises from the unequal refrangibility and length of the different coloured rays of light that together go to make up white light; but which, when treated of in optics, is always associated with _achromatism_, so that a combination of prisms, or lenses, is said to be _achromatic_ when the coloured rays arising from the dispersion of the pencil of light refracted through them are combined in due proportions as they are in perfectly white light. A lens, however, of uniform material will not form a single white image, but a series of images of all colours of the spectrum, arranged at different distances, the violet being nearest, and the red the most remote, every other colour giving a blurred image; the superposition of these and the blending of the different elementary rays furnishing a complete explanation of the beautiful phenomenon of the rainbow. Sharpness of outline is rendered quite impossible in such a case, and this source of confusion is known as _chromatic aberration_.