Comedy plays; France -- Social life and customs -- 17th century -- Drama; French drama; Middle class -- France -- Drama
MUSIC MASTER: You ought to learn it, Sir, as you are learning
dancing. They are two arts which have a close connection.
DANCING MASTER: And which open the mind of a man to fine things.
MONSIEUR JOURDAIN: And do people of quality learn music, too?
MUSIC MASTER: Yes sir.
MONSIEUR JOURDAIN: I'll learn it then. But I don't know when I can
find time; for besides the Fencing Master who's teaching me, I have
also engaged a master of philosophy who is to begin this morning.
MUSIC MASTER: Philosophy is something; but music, sir, music...
DANCING MASTER: Music and dancing, music and dancing, that's all
that's necessary.
MUSIC MASTER: There's nothing so useful in a State as music.
DANCING MASTER: There's nothing so necessary to men as dancing.
MUSIC MASTER: Without music, a State cannot subsist.
DANCING MASTER: Without the dance, a man can do nothing.
MUSIC MASTER: All the disorders, all the wars one sees in the world
happen only from not learning music.
DANCING MASTER: All the misfortunes of mankind, all the dreadful
disasters that fill the history books, the blunders of politicians
and the faults of omission of great commanders, all this comes from
not knowing how to dance.
MONSIEUR JOURDAIN: How is that?
MUSIC MASTER: Does not war result from a lack of agreement between
men?
MONSIEUR JOURDAIN: That is true.
MUSIC MASTER: And if all men learned music, wouldn't that be a
means of bringing about harmony and of seeing universal peace in
the world?
MONSIEUR JOURDAIN: You are right.
DANCING MASTER: When a man has committed a mistake in his conduct,
in family affairs, or in affairs of government of a state, or in
the command of an army, do we not always say, "He took a bad step
in such and such an affair?"
MONSIEUR JOURDAIN: Yes, that's said.
DANCING MASTER: And can taking a bad step result from anything but
not knowing how to dance?
MONSIEUR JOURDAIN: It's true, you are both right.
DANCING MASTER: It makes you see the excellence and usefulness of
music and the dance.
MONSIEUR JOURDAIN: I understand that, now.
MUSIC MASTER: Do you wish to see our pieces?
MONSIEUR JOURDAIN: Yes.
MUSIC MASTER: I have already told you that this is a little attempt
I have made to show the different passions that music can express.
MONSIEUR JOURDAIN: Very good.
MUSIC MASTER (To musicians) Here, come forward. (To Monsieur
Jourdain) You must imagine that they are dressed as shepherds.
MONSIEUR JOURDAIN: Why always as shepherds? You see nothing but
that everywhere.
MUSIC MASTER: When we have characters that are to speak in music,
it's necessary, for believability, to make them pastoral. Singing
has always been assigned to shepherds; and it is scarcely natural
dialogue for princes or merchants to sing their passions.
MONSIEUR JOURDAIN: Alright, alright. Let's see.
DIALOGUE IN MUSIC: (A Woman and Two Men)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account