The Middle Kingdom, Volume 1 (of 2): A Survey of the Geography, Government, Literature, Social Life, Arts, and History of the Chinese Empire and its InhabitantsWilliams, S. Wells (Samuel Wells)
History
The Middle Kingdom, Volume 1 (of 2): A Survey of the Geography, Government, Literature, Social Life, Arts, and History of the Chinese Empire and its Inhabitants
Williams, S. Wells (Samuel Wells)
China
Among the best known monuments to foreigners visiting this city was
the monastery of _Chong-show sz’_, ‘Temple of Longevity,’ founded
in 1573, and occupying spacious grounds. “In the first pavilion are
three Buddhas; in the second a seven-story, gilt pagoda, in which
are 79 images of Buddha. In the third pavilion is an image of Buddha
reclining, and in a merry mood. A garden in the rear is an attractive
place of resort, and another, on one side of the entrance, has a number
of tanks in which gold fish are reared. In the space in front of the
temple a fair is held every morning for the sale of jade ornaments
and other articles.”[81] This temple was destroyed in November, 1881,
by a mob who were incensed at the alleged misbehaviour of some of the
priests toward the female devotees--an instance of the existence in
China of a lively popular sentiment regarding certain matters. Near
this compound stands the ‘Temple of the Five Hundred Genii,’ containing
500 statues of various sizes in honor of Buddha and his disciples.
The _Hai-chwang sz’_, a Buddhist temple at Honam usually known as the
Honam Joss-house, is one of the largest in Canton. Its grounds cover
about seven acres, surrounded by a wall, and divided into courts,
garden-spots, and a burial-ground, where are deposited the ashes of
priests after cremation. The buildings consist mostly of cloisters or
apartments surrounding a court, within which is a temple, a pavilion,
or a hall; these courts are overshadowed by bastard-banian trees, the
resort of thousands of birds. The outer gateway leads up a gravelled
walk to a high portico guarded by two huge demoniac figures, through
which the visitor enters a small inclosure, separated from the largest
one by another spacious porch, in which are four colossal statues.
This conducts him to the main temple, a low building one hundred feet
square, and surrounded by pillars; it contains three wooden gilded
images, in a sitting posture, called _San Pao Fuh_, or the Past,
Present, and Future Buddha, each of them about twenty-five feet high,
and surrounded by numerous altars and attendant images. Daily prayers
are chanted before them by a large chapter of priests, all of whom,
dressed in yellow canonicals, go through the liturgy. Beyond this
a smaller building contains a marble carving somewhat resembling a
pagoda, under which is preserved a relic of Buddha, said to be one of
his toe-nails. This court has other shrines, and many rooms for the
accommodation of the priests, among which are the printing-office and
library, both of them respectable for size, and containing the blocks
of books issued by them, and sold to devotees.
Public-domain text, read in full here on John Shaqi.
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