least embarrassed or bewildered; largely, I think, because of the
failure--a failure the most charmingly flat--of all measure on the part
of auditors and speaker alike of what might be intended or understood,
of what, in fine, the latter was talking about.
He struck me in truth as neither knowing nor communicating knowledge,
and I recall how I felt this note in his own case to belong to that
general intimation with which the whole air was charged of the want of
proportion between the great spaces and reaches and echoes commanded,
the great eminence attained, and the quantity and variety of experience
supposable. So to discriminate was in a manner to put one's hand on the
key, and thereby to find one's self in presence of a rare and anomalous,
but still scarcely the less beautiful fact. The assured and achieved
conditions, the serenity, the security, the success, to put it vulgarly,
shone in the light of their easiest law--that by which they emerge early
from the complication of life, the great adventure of sensibility, and
find themselves determined once for all, fortunately fixed, all
consecrated and consecrating. If I should speak of this impression as
that of glory without history, that of the poetic character more worn
than paid for, or at least more saved than spent, I should doubtless
much over-emphasise; but such, or something like it, was none the less
the explanation that met one's own fond fancy of the scene after one had
cast about for it. For I allow myself thus to repeat that I was so moved
to cast about, and perhaps at no moment more than during the friendly
analysis of the reputation of M. de Sade. Was I not present at some
undreamed-of demonstration of the absence of the remoter real, the real
other than immediate and exquisite, other than guaranteed and enclosed,
in landscape, friendship, fame, above all in consciousness of awaited
and admired and self-consistent inspiration?
Public-domain text, read in full here on John Shaqi.
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