The Mide'wiwin or "Grand Medicine Society" of the Ojibwa: Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891, pages 143-300Hoffman, Walter James
Religion
The Mide'wiwin or "Grand Medicine Society" of the Ojibwa: Seventh Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1885-1886, Government Printing Office, Washington, 1891, pages 143-300
Hoffman, Walter James
Midéwiwin; Ojibwa Indians -- Religion; Ojibwa Indians -- Rites and ceremonies; Ojibwa Indians -- Societies, etc.; Secret societies -- North America
Marquette was without doubt ignorant of the fact that the cross is the
sacred post, and the symbol of the fourth degree of the Midē´wiwin, as
will be fully explained in connection with that grade of the society.
The erroneous conclusion that the cross was erected as an evidence of
the adoption of Christianity, and possibly as a compliment to the
visitor, was a natural one on the part of the priest, but this same
symbol of the Midē´ Society had probably been erected and bedecked with
barbaric emblems and weapons months before anything was known of him.
The result of personal investigations among the Ojibwa, conducted during
the years 1887, 1888 and 1889, are presented in the accompanying paper.
The information was obtained from a number of the chief Midē´ priests
living at Red Lake and White Earth reservations, as well as from members
of the society from other reservations, who visited the last named
locality during the three years. Special mention of the peculiarity of
the music recorded will be made at the proper place; and it may here be
said that in no instance was the use of colors detected, in any
birch-bark or other records or mnemonic songs, simply to heighten the
artistic effect; though the reader would be led by an examination of the
works of Schoolcraft to believe this to be a common practice. Col.
Garrick Mallery; U.S. Army, in a paper read before the Anthropological
Society of Washington, District of Columbia, in 1888, says, regarding
this subject:
The general character of his voluminous publications has not been such
as to assure modern critics of his accuracy, and the wonderful
minuteness, as well as comprehension, attributed by him to the Ojibwa
hieroglyphs has been generally regarded of late with suspicion. It was
considered in the Bureau of Ethnology an important duty to ascertain
how much of truth existed in these remarkable accounts, and for that
purpose its pictographic specialists, myself and Dr. W. J. Hoffman as
assistant, were last summer directed to proceed to the most favorable
points in the present habitat of the tribe, namely, the northern
region of Minnesota and Wisconsin, to ascertain how much was yet to be
discovered. * * * The general results of the comparison of
Schoolcraft’s statements with what is now found shows that, in
substance, he told the truth, but with much exaggeration and coloring.
The word “coloring” is particularly appropriate, because, in his
copious illustrations, various colors were used freely with apparent
significance, whereas, in fact, the general rule in regard to the
birch-bark rolls was that they were never colored at all; indeed, the
bark was not adapted to coloration. The metaphorical coloring was also
used by him in a manner which, to any thorough student of the Indian
philosophy and religion, seems absurd. Metaphysical expressions are
attached to some of the devices, or, as he calls them, symbols, which,
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