Middle West -- Fiction; Real estate developers -- Fiction; Suburbs -- Fiction
Dan was indeed in that element and it was truly his. He could be seen
waving his arms at the workmen; shouting to foremen; running along the
roof and calling to teamsters, instructing them where to dump their
loads. His voice was audible to the occupants of the French car that
stopped for a few moments in the road; and they became aware that he
addressed the workmen, both white and coloured, by their first names or
their nicknames exclusively; his shoutings were all to “Jim” or “Mike”
or “Shorty” or “Tony” or “Gumbo.”
A moment after the car stopped, a smaller figure climbed up the slope of
the low roof and joined the towering and bulky one on the ridge. “He’s
got my charming-mannered nephew with him,” Harlan said. “What time he
can spare from spoiling the landscape he puts into spoiling Henry!”
“Is that Henry?” Martha asked incredulously; then, as she saw Dan put
his right arm about the boy’s shoulder, guarding him carefully from a
misstep, she replied to herself. “Yes, it really is. Gracious, how time
runs away from us!”
Turning to shout at some one in their direction, Dan saw them, and waved
his free arm cordially in greeting; but he made no motion as if to
descend, and went on immediately with his shouting to the men. Martha
said, “We’ll go now,” to the chauffeur; and the car instantly moved
forward.
She leaned back, smiling. “He’s in his glory,” she said. “It all goes on
arriving, Harlan. His great days have come!”
CHAPTER XXIV
SHE was right; the growth was now visibly upon the pleasant and
substantial town, where all had once appeared to be so settled and so
finished; for, just as with some of man’s disorders that develop slowly,
at first merely hinting in mild prophetic symptoms, then becoming more
sinister, and attacking one member after another until the whole body
writhes and alters, so it is with this disorder that comes racking the
midland towns through distortions and turmoil into the vaster likenesses
of cities: haphazard and insignificant destructions begin casually, but
gradually grow more sweeping and more violent until the victim town
becomes aware of great crashings;—and then lies choking in a cloud of
dust and smoke wherein huge new excrescences appear.
Cameras of the new age sometimes record upon strips of moving film the
slow life of a plant from the seed to the blossoming of its flower; and
then there is thrown upon the screen a picture in which time is so
quickened that the plant is seen in the very motions of its growth,
twisting itself out of the ground and stretching and swelling to its
maturity, all within a few minutes. So might a film record be made of
the new growth bringing to full life a quiet and elderly midland town;
but the picture would be dumfounding. Cyclone, earthquake, and miracle
would seem to stalk hand-in-hand upon the screen; thunder and avalanche
should play in the orchestra pit.
Public-domain text, read in full here on John Shaqi.
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