Middle West -- Fiction; Real estate developers -- Fiction; Suburbs -- Fiction
“You can’t much,” the serene Harlan agreed. He spoke from his easy-chair
in the bay window, whither he had returned from an unemotional excursion
to the blue leather case when it was exhibited. “You can see, though,
that Dan’s young person is perfect, as he said, in several ways.”
“Think so?”
“Yes; she’s perfectly _à la mode_; she’s perfectly pretty—and perfectly
what we usually call shallow.”
“Oh, I don’t know.”
“Don’t you?” Harlan asked, with a slight amusement, and added
reflectively: “Martha Shelby won’t like this much, I dare say.”
“No,” Mrs. Oliphant said faintly. “Poor Martha!”
“Oh, look here!” her husband remonstrated. “What’s the use of all this?
You’re acting as if we were facing a calamity. Dan’s got a mighty good
head on his shoulders; he wouldn’t fall in love with a mere little
goose. Besides, didn’t I ask you: ‘What can you tell from a
photograph?’”
“Not everything, sir,” Harlan interposed. “But you can usually get an
idea of the type of person it’s a photograph of.”
“Yes, you can,” Mrs. Oliphant said. “That’s what frightens me. She
doesn’t seem the type that would want to take care of him when he’s sick
and be interested in his business and help him. She might even be the
type that wouldn’t like living here, after New York, and would get to
complaining and want to take him away. Of course it _is_ true we can’t
tell from that photograph, though.”
“Can’t you?” Harlan asked with a short laugh. “Then why are you so
disturbed by it?”
“That’s sense,” his father said approvingly. “If you can’t tell anything
about her, what’s the sense of worrying?”
“It doesn’t appear that you got my point, sir,” Harlan remarked. “You
and mother are both disturbed because you _have_ drawn certain
conclusions.”
“From that picture?”
“I think so, sir.”
“You’re talking nonsense,” Mr. Oliphant returned testily. “Nobody can
tell anything at all from a photograph. Not a thing!”
“No,” Mrs. Oliphant agreed, wiping her eyes again. “I hope not. I mean
I’m _sure_ not.”
“That’s right,” said her husband heartily. “That’s the way to look at
it.”
“Yes; isn’t it!” said the sardonic Harlan, as he resumed his reading;
and for a time the library was given over to a reflective silence;—the
ceiling, fifteen feet from the floor, was too solid a structure for the
pacing that had begun overhead to be heard below.
Public-domain text, read in full here on John Shaqi.
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