The migrations of early culture: A study of the significance of the geographical distribution of the practice of mummification as evidence of the migrations of peoples and the spread of certain customs and beliefsSmith, Grafton Elliot
History
The migrations of early culture: A study of the significance of the geographical distribution of the practice of mummification as evidence of the migrations of peoples and the spread of certain customs and beliefs
Smith, Grafton Elliot
Ethnology; Human beings -- Migrations; Mummies
to achieve? The suggestion is too preposterous to call for serious
consideration.
But if for the moment we assume that the Darnley Islander instinctively
arrived at the conclusion that it was possible to preserve the dead, that
he would rather like to try it, and that by some mysterious inspiration
the technical means of attaining this object was vouchsafed him, why,
when the whole ventral surface of the body was temptingly inviting him
to operate by the simplest and most direct means, did he restrict his
choice to the two most difficult sites for his incision? We know why the
Egyptian made the opening in the left flank and in other cases in the
perineum; but is it likely the Papuan, once he had decided to cut the
body, would have had such a respect for the preservation of the integrity
of the front of the body as to impel him to choose a means of procedure
which added greatly to the technical difficulty of the operation? We have
the most positive evidence that the Papuan had no such design, for it was
his usual procedure to cut the head off the trunk and pay little further
attention to the latter. Myres’ contention will not stand a moment’s
examination.
As to the use of red-ochre, which Myres rightly claimed to be so
widespread, no hint was given of the possibility that it might be so
extensively practised simply because the Egyptian custom had spread far
and wide.
It is important to remember that the practice of painting stone statues
with red-ochre (obviously to make them more life-like) was in vogue in
Egypt before 3000 B.C.; and throughout the whole “heliolithic” area,
wherever the conception of human beings dwelling in stones, whether
carved or not, was adopted, the Egyptian practice of applying red paint
also came into vogue. But it was not until more than twenty centuries
later—_i.e._ when, for quite definite reasons in the XXIst Dynasty,
the Egyptians conceived the idea of converting the mummy itself into a
statue—that they introduced the procedure of painting the mummy (the
actual body), simply because it was regarded as the statue (=78=).
After Professor Myres, Dr. Haddon offered two criticisms. Firstly, the
incisions in the feet and knees were not suggested by Egyptian practices,
but were made for the strictly utilitarian purpose of draining the
fluids from the body. I have dealt with this point already (_vide
supra_). His second objection was that there were no links between
Egypt and Papua to indicate that the custom had spread. The present
communication is intended to dispose of that objection by demonstrating
not only the route by which, but also how, the practice reached the
Torres Straits after the long journey from Egypt.
Public-domain text, read in full here on John Shaqi.
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