According to Page (=52=), who has described one of the two Jivaro specimens now in the Manchester Museum, desiccation by heat was the method of preservation. He adds, “‘Momea’ and ‘Chancha’ are the names commonly given to such specimens by the natives.” Surely the former must be a Spanish importation! A comparison of this variety in the methods of preserving the body in America with the series of similar practices which I have been following from the African shore, makes it abundantly plain that there can be no doubt as to the source of the American inspiration to do such extraordinary things. The remarkable burial ritual and all the associated procedures afford strong corroborative evidence. But the proof of the influence of the civilizations of the Old World on pre-Columbian America does not depend upon the evidence of one set of practices, however complex, bizarre and distinctive they may be. The positive demonstration that I have endeavoured to build up in this communication depends upon the fact that the whole of the complex structure of the “heliolithic” culture, which was slowly built up in Egypt during the course of the thirty centuries before 900 B.C., spread to the east, acquiring on its way accretions from the civilizations of the Mediterranean, Western Asia, Eastern Africa, India, Eastern Asia and Indonesia and Oceania, until it reached America. Like a potent ferment it gradually began to leaven the vast and widespread aboriginal culture of the Americas. The rude megalithic architecture of America bears obvious evidences of the same inspiration which prompted that of the Old World; and so far as the more sumptuous edifices are concerned the primary stimulus of Egyptian ideas, profoundly modified by Babylonian, and to a less extent Indian and Eastern Asiatic, influences is indubitable. Comparison of the truncated pyramids of America, of the Pacific, Eastern Asia and Indonesia with those of ancient Chaldea, affords quite definite corroboration of these views. It would be idle to pretend that so complex a design and so strange a symbolism as the combination of the sun’s disc with the serpent and the greatly expanded wings of a hawk, carved upon the lintel of the door of a temple of the sun, could possibly have developed independently in Ancient Egypt and in Mexico (see especially Bancroft, =3=, Vol. IV., p. 351).