"You," I rejoined, all afire with the prospect of listening to her
remarkable voice in what I had every reason to believe would call forth
its full expression. "Only let me look at those sheets first, and
understand as perfectly as I may, just what it is you are going to read
to me."
"It's an explanation written for his heirs by Mr. Ocumpaugh. The story
itself," she went on, handing me over the papers she held, "begins
abruptly. From the way the sheet is torn across at the top, I judge that
the narrative itself was preceded by some introductory words now
lacking. When I have read it to you, I will tell you what I think those
introductory words were."
I handed back the sheets. There seemed to be a spell in the
air--possibly it arose from her manner, which was one to rouse
expectation even in one whose imagination had not already been stirred
by a visit at night and in more than commonly bewildering company to the
place whose dark and hitherto unknown secret I was about to hear.
"I am ready," I said, feeling my strange position, but not anxious to
change it just then for any other conceivable one.
She drew a deep breath; again fixed me with her strange, compelling
eyes, and with the final remark:
"The present no longer exists, we are back in the seventies--" began
this enthralling tale.
I did not move till the last line dropped from her lips.
XI
THE SECRET OF THE OLD PAVILION
I was as sane that night as I had ever been in my life. I am quite sure
of this, though I had had a merry time enough earlier in the evening
with my friends in the old pavilion (that time-honored retreat of my
ancestors), whose desolation I had thought to dissipate with a little
harmless revelry. Wine does not disturb my reason--the little wine I
drank under that unwholesome roof--nor am I a man given to sudden
excitements or untoward impulses.
Yet this thing happened to me.
It was after leaving the pavilion. My companions had all ridden away and
I was standing on the lawn beyond my library windows, recalling my
pleasure with them and gazing somewhat idly, I own, at that bare portion
of the old wall where the tree fell a year ago (the place where the moon
strikes with such a glitter when it rides high, as it did that night),
when--believe it or not, it is all one to me--I became conscious of a
sudden mental dread, inexplicable and alarming, which, seizing me after
an hour of unmixed pleasure and gaiety, took such a firm grip upon my
imagination that I fain would have turned my back upon the night and its
influences, only my eyes would not leave that open space of wall where I
now saw pass--not the shadow, but the veritable body of a large, black,
hungry-looking dog, which, while I looked, turned into the open gateway
connecting with the pavilion and disappeared.
With it went the oppression which held me spell-bound. The ice melted
from my blood; I could move my limbs, and again control my thoughts and
exercise my will.
Public-domain text, read in full here on John Shaqi.
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