The Mind and the Brain: Being the Authorised Translation of L'Âme et le CorpsBinet, Alfred
Philosophy
The Mind and the Brain: Being the Authorised Translation of L'Âme et le Corps
Binet, Alfred
Mind and body
The principal difference we notice between sensation and idea is, it
would seem, the character of unreality in the last named; but this
opposition has not the significance we imagine. Our mental vision
only assumes this wholly special character of unreality under
conditions in which it is unable to harmonise with the real vision.
Taine has well described the phases of the reduction of the image by
sensation: it is at the moment when it receives the shock of an image
which contradicts it, that the image appears as illusory.[20] Let us
suppose that we are sitting down dreaming and watching the passing by
of our images. If, at this moment, a sudden noise calls us back to
reality, the whole of our mental phantasmagoria disappears as if by
the wave of a magic wand, and it is by thus vanishing that the image
shows its falsity. It is false because it does not accord with the
present reality.
But, when we do not notice a disagreement between these two modes of
cognition, both alike give us the impression of reality. If I evoke a
reminiscence and dwell attentively on the details, I have the
impression that I am in face of the reality itself. "I feel as if I
were there still," is a common saying; and, among the recollections I
evoke, there are some which give me the same certitude as the
perception of the moment. Certain witnesses would write their
depositions with their blood. One does not see this every day; but
still one does see it.
Further, there are thousands of circumstances where the ideation is
neither in conflict with the perception nor isolated from it, but in
logical continuity with it. This continuity must even be considered as
the normal condition. We think in the direction of that which we
perceive. The image seems to prepare the adaptation of the individual
to his surroundings; it creates the foresight, the preparation of the
means, and, in a word, everything which constitutes for us a final
cause. Now, it is very necessary that the image appear real to be
usefully the substitute of the sensation past or to come.
Public-domain text, read in full here on John Shaqi.
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