The 'Mind the Paint' Girl: A Comedy in Four ActsPinero, Arthur Wing
General
The 'Mind the Paint' Girl: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
[_Coming to LILY and kissing her._] So long, dear.
[_ENID, DAPHNE, and JIMMIE also come to LILY, who embraces them
demonstratively, and the men follow._
LILY.
[_To the girls._] Ta-ta; ta-ta; ta-ta! I won't come down.
ENID.
No, no; we'll let ourselves out. [_Leaving LILY._] Till to-night!
LILY.
Till to-night! [_Shaking hands with the men._] Ta-ta; ta-ta; ta-ta!
THE MEN.
Ta-ta! Ta-ta! Ta-ta!
VON RETTENMAYER.
[_Kissing her hand slyly._] Goddess!
LILY.
[_To BLAND, in a whisper._] Take care of Bertie. [_Everybody moves to
the door, except LILY who remains standing in the middle of the room.
Some are on the landing, some in the doorway, when she calls to ROPER
and JIMMIE._] Uncle Lal! Jimmie! I want to speak to you two for a
second. [_ROPER and JIMMIE detach themselves from the rest and
return._] Oh-- and Lord Farncombe! [_FARNCOMBE also returns and LILY,
passing him, goes on to the landing and mixes with the others._] Be
off; Lord Farncombe and Lal will look after Jimmie. Vincent, _you_
close the front-door. No noise! Au revoir, mes enfants! [_She watches
them descend the stairs and, her manner softening, comes back into the
room._] Lord Farncombe wants to have a quiet talk with me, Uncle Lal--
about-- about something, and he's asked me to let him remain behind
with Jimmie for a few minutes. [_To JIMMIE._] But there's no necessity
for you to wait, dear.
JIMMIE.
Don't consider me.
LILY.
But I do. Go upstairs and tell mother that Lord Farncombe's with me.
Say I promise he shan't stay long. [_To ROPER._] You'll take Jimmie
home, won't you, Lal?
ROPER.
[_His eyes bolting._] W-w-with pleasure.
LILY.
[_To JIMMIE._] I shall see you again later in the day, perhaps?
JIMMIE.
Rather! [_Throwing her arms round LILY'S neck and pressing her cheek
to LILY'S._] Rather! [_To ROPER, significantly._] Sit in the hall till
I'm ready.
[_She runs out on to the landing, pausing at the door to bestow a
parting nod and a smile upon FARNCOMBE, and ascends the stairs._
ROPER.
[_In a state of great excitement and exhilaration-- to LILY._] Yes,
yes, I won't keep you and-- [_winking at her and jerking his head in
FARNCOMBE'S direction_] from your _tete-a-tete_. [_Patting her face
gleefully._] Ha, ha, ha, ha! [_Taking her hand, his own quivering._]
Lil, Uncle Lal you call me, but I've always felt more like a parent
towards you-- acted as such, hey?
LILY.
Y-y-yes, Lal.
ROPER.
And any happiness that befalls you-- any happiness that befalls you--
[_choking_] I'll leave it there. God bless yer; God bless yer!
[_bustling over to FARNCOMBE who, his hat in his hand, his overcoat on
his arm, is standing near the piano_] and God bless _you_, my lad!
[_incoherently_] I'm proud-- proud to have the honour-- and to have
been the means of-- the means of-- [_wringing FARNCOMBE'S hand_] God
bless you both! [_He goes to the door and there finds LILY._] I-- I--
I-- I'll drop in by-and-by and-- and-- and inquire after you, my pet.
LILY.
Public-domain text, read in full here on John Shaqi.
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