The 'Mind the Paint' Girl: A Comedy in Four ActsPinero, Arthur Wing
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The 'Mind the Paint' Girl: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
JIMMIE.
Things might have gone on much the same as before.
MRS. UPJOHN.
An' might 'ave ended different.
LILY.
[_Rising and walking away to the right._] Ah, no, mother----!
JIMMIE.
[_Rising and joining LILY._] Certainly they might.
MRS. UPJOHN.
[_Rising._] Any'ow I 'ope it'll be a lesson to Lal----
JIMMIE.
_Do_ you, Ma!
MRS. UPJOHN.
[_Moving over to the girls._] Not to put 'is fingers into other
people's pies.
JIMMIE.
[_To MRS. UPJOHN, with a withering glance at ROPER._] Oh, you _are_
sanguine!
ROPER.
[_Rising and straightening himself out._] Ma-- Mrs. Upjohn-- Lily----
JIMMIE.
[_Scornfully._] Hullo, hullo, hullo, hul-lo----!
ROPER.
[_To JIMMIE._] P'sh! [_Impressively._] Ma-- Lily-- for years-- longer
than it's agreeable to count-- I've been a patron of the drama--
particularly musical comedy, of which I've studied the development
with especial interest.
JIMMIE.
[_Resting her elbows upon the back of the settee._] Yes, you've
studied a lot of development, Lal, in your day.
ROPER.
[_Ignoring JIMMIE._] It's been a fad with me; I put it no higher than
that. [_Producing his gloves._] But I've devoted time to it----
JIMMIE.
Any amount.
ROPER.
[_Drawing a glove on._] Often to the neglect of my ventures in the
City. Here I am _now_, for instance.
JIMMIE.
That's obvious.
ROPER.
And-- I frankly admit it-- I've had more than one serious dispute with
_Mrs._ Roper on the subject. [_JIMMIE softly whistles a few bars of
"Rule, Britannia."_] Yesterday, by a coincidence-- [_feeling the
outside of his breast-pocket_] letter from the wife-- full o'
complaints-- haven't been to Bexhill, to her and the kids, for weeks.
And to do Ellen Roper justice, she's not the woman to grumble without
cause. [_Picking up his hat and cane which he has placed upon the
centre table._] Dash it all, home ties _are_ home ties! [_Polishing
his hat with his sleeve._] And, taking one consideration with
another-- and after this-- this occurrence-- it's my intention for the
future-- my firm intention----
LILY.
[_Running to ROPER and throwing her arms around his neck._] Oh, Uncle
Lal, not altogether! We're tired and cross this morning! Not
altogether!
MRS. UPJOHN.
[_Behind the centre table._] No, no, Uncle, you mustn't----!
LILY.
[_To ROPER._] Forgive us! [_Coaxingly._] Mother and Jimmie are
cats----!
MRS. UPJOHN AND JIMMIE.
Oh----!
[_The door on the left opens, and GLADYS enters with a card on a
salver._
GLADYS.
[_Advancing to LILY._] Are you _in_?
LILY.
In?
GLADYS.
[_Surveying LILY with mingled disdain and pity._] Oh you _do_ look
washed out!
LILY.
[_Going to GLADYS._] Never you mind whether I look washed out or not.
Who is it?
[_LILY takes the card, reads some writing upon it, and stands
twiddling the card in her fingers._
GLADYS.
They're in the dining-room.
LILY.
[_To GLADYS, after a pause._] W-wait outside-- on the landing.
GLADYS.
Oh, all right. _This_ won't get my silver cleaned.
Public-domain text, read in full here on John Shaqi.
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