The law-student, whose full name was Alonzo W. Berry, had one joking manner for all manner of men and women, and Lemuel's suspicion could not find any offensive distinction in it toward himself; but he disabled Berry's own gentility for that reason, and easily learning much of the law-student's wild past in the West from so eager an autobiographer, he could not comfort himself with his friendship. While the student poured out his autobiography without stint upon Lemuel, his shyness only deepened upon the boy. There were things in his life for which he was in equal fear of discovery: his arrest and trial in the police court, his mother's queerness, and his servile condition at Miss Vane's. The thought that Mr. Sewell knew about them all made him sometimes hate the minister, till he reflected that he had evidently told no one of them. But he was always trembling lest they should somehow become known at the St. Albans; and when Berry was going on about himself, his exploits, his escapes, his loves,--chiefly his loves,--Lemuel's soul was sealed within him; a vision of his disgraces filled him with horror. But in the delight of talking about himself, Berry was apparently unaware that Lemuel had not reciprocated his confidences. He celebrated his familiarity with Miss Swan and her friend, though no doubt he had the greater share of the acquaintance,--that was apt to be the case with him,--and from time to time he urged Lemuel to come up and call on them with him. “I guess they don't want _me_ to call,” said Lemuel with feeble bitterness at last, one evening after an elaborate argument from Berry to prove that Lemuel had the time, and that he just knew they would be glad to see him. “Why?” demanded Berry, and he tried to get Lemuel's reason; but when Lemuel had stated that belief, he could not have given the reason for it on his death-bed. Berry gave the conundrum up for the time, but he did not give Lemuel up; he had an increasing need of him as he advanced in a passion for Miss Swan, which, as he frankly prophesied, was bound to bring him to the popping-point sooner or later; he debated with himself in Lemuel's presence all the best form's of popping, and he said that it was simply worth a ranch to be able to sing to him, “She's a darling, She's a daisy, She's a dumpling, She's a lamb,” and to feel that he knew who _she_ was. He usually sang this refrain to Lemuel when he came in late at night after a little supper with some of the fellows that had left traces of its cheer on his bated breath. Once he came downstairs alone in the elevator, in his shirt-sleeves and stocking-feet, for the purpose of singing it after Lemuel had thought him in bed.