The Minister's Charge; Or, The Apprenticeship of Lemuel BarkerHowells, William Dean
General
The Minister's Charge; Or, The Apprenticeship of Lemuel Barker
Howells, William Dean
Boston (Mass.) -- Fiction; Clergy -- Fiction; Poets -- Fiction
He heard the order to turn out repeated at other cells along the
corridor, and he crept out of his shelf, and then sat down upon it,
waiting for his door to be unlocked. He was very hungry again, and he
trembled with faintness. He wondered how he should get his breakfast,
and he dreaded the trial in court less than the thought of going
through another day with nothing to eat. He heard the stir of the other
prisoners in the cells along the corridors, the low groans and sighs
with which people pull themselves together after a bad night; and he
heard the voice of the drunken woman, now sober, poured out in voluble
remorse, and in voluble promise of amendment for the future, to every
one who passed, if they would let her off easy. She said aisy, of
course, and it was in her native accent that she bewailed the fate of
the little ones whom her arrest had left motherless at home. No one
seemed to answer her, but presently she broke into a cry of joy and
blessing, and from her cell at the other end of the corridor came the
clink of crockery. Steps approached with several pauses, and at last
they paused at Lemuel's door, and a man outside stooped and pushed in,
through the opening at the bottom, a big bowl of baked beans, a quarter
of a loaf of bread, and a tin cup full of coffee. “Coffee's extra,” he
said jocosely. “Comes from the officers. You're in luck, young feller.”
“I ha'n't got anything to pay for it with,” faltered Lemuel.
“Guess they'll trust you,” said the man. “Any-rate, I got orders to
leave it.” He passed on, and Lemuel gathered up his breakfast, and
arranged it on the shelf where he had slept; then he knelt down before
it, and ate.
An hour later an officer came and unbolted his door from the outside.
“Hurry up,” he said; “Maria's waiting.”
“Maria?” repeated Lemuel innocently.
“Yes,” returned the officer. “Other name's Black. She don't like to
wait. Come out of here.”
Lemuel found himself in the corridor with four or five other prisoners,
whom some officers took in charge and conducted upstairs to the door of
the station. He saw no woman, but a sort of omnibus without windows was
drawn up at the curbstone.
“I thought,” he said to an officer, “that there was a lady waiting
to see me. Maria Black,” he added, seeing that the officer did not
understand.
The policeman roared, and could not help putting his head in at the
office door to tell the joke.
“Well, you must introduce him,” called a voice from within.
“Guess you ha'n't got the name exactly straight, young man,” said the
policeman to Lemuel, as he guarded him down the steps. “It's Black
Maria you're looking for. There she is,” he continued, pointing to
the omnibus, “and don't you forget it. She's particular to have folks
recognise her. She's blacker 'n she's painted.”
The omnibus was, in fact, a sort of aesthetic drab, relieved with
salmon, as Lemuel had time to notice before he was hustled into it with
the other prisoners, and locked in.
Public-domain text, read in full here on John Shaqi.
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