The Minister's Charge; Or, The Apprenticeship of Lemuel BarkerHowells, William Dean
General
The Minister's Charge; Or, The Apprenticeship of Lemuel Barker
Howells, William Dean
Boston (Mass.) -- Fiction; Clergy -- Fiction; Poets -- Fiction
At the words a vision of Willoughby Pastures rose upon Lemuel, and a
lump of home-sickness came into his throat. He saw the old wood-coloured
house, crouching black within its walls under the cold November stars.
If his mother had not gone to bed yet, she was sitting beside the
cooking-stove in the kitchen, and perhaps his sister was brewing
something on it, potion or lotion, for her husband's rheumatism. Miss
Vane had talked to him about his mother; she had said he might have her
down to visit him, if everything went on right; but of course he knew
that Miss Vane did not understand that his mother wore bloomers, and he
made up his mind that her invitation was never to be accepted. At the
same time he had determined to ask Miss Vane to let him go up and see
his mother some Sunday.
“'S fur's we go,” said the conductor. “'F you're goin' on, you want to
take another car here.”
“I guess I'll go back with you a little ways,” said Lemuel. “I want to
ask you--”
“Guess we'll have to take a back seat, then,” said the conductor,
leading the way through the car to the other platform; “or a standee,”
he added, snapping the bell. “What is it you want to ask?”
“Oh, nothing. How do you fellows learn to be conductors? How long does
it take you?”
Till other passengers should come the conductor lounged against the
guard of the platform in a conversational posture.
“Well, generally it takes you four or five days. You got to learn all
the cross streets, and the principal places on all the lines.”
“Yes?”
“It didn't take me more'n two. Boston boy.”
“Yes,” said Lemuel, with a fine discouragement. “I presume the
conductors are mostly from Boston.”
“They're from everywhere. And some of 'em are pretty streaked, I can
tell you; and then the rest of us has got to suffer; throws suspicion on
all of us. One fellow gets to stealin' fares, and then everybody's got
to wear a bell-punch. I never hear mine go without thinkin' it says,
'Stop thief!' Makes me sick, I can tell you.”
After a while Lemuel asked, “How do you get such a position?”
The conductor seemed to be thinking about some thing else. “It's a
pretty queer kind of a world, anyway, the way everybody's mixed up with
everybody else. What's the reason, if a man wants to steal, he can't
steal and suffer for it himself, without throwin' the shame and the
blame on a lot more people that never thought o' stealin'? I don't
notice much when a fellow sets out to do right that folks think
everybody else is on the square. No, sir, they don't seem to consider
that kind of complaint so catching. Now, you take another thing: A woman
goes round with the scarlet fever in her clothes, and a whole carful of
people take it home to their children; but let a nice young girl get in,
fresh as an apple, and a perfect daisy for wholesomeness every way, and
she don't give it to a single soul on board. No, sir; it's a world I
can't see through, nor begin to.”
Public-domain text, read in full here on John Shaqi.
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