The Minister's Charge; Or, The Apprenticeship of Lemuel BarkerHowells, William Dean
General
The Minister's Charge; Or, The Apprenticeship of Lemuel Barker
Howells, William Dean
Boston (Mass.) -- Fiction; Clergy -- Fiction; Poets -- Fiction
When he came back he took advantage of Lemuel's continued presence to
have a little chat. He was a short, plump, stubby-moustached man, and he
looked strong and well, but he said, with an introductory sigh, “Well,
sir, I get sore all over at this business. There ain't a bone in me that
hain't got an ache in it. Sometimes I can't tell but what it's the ache
got a bone in it, ache seems the biggest.”
“Why, what makes it?” asked Lemuel absently.
“Oh, it's this standin'; it's the hours, and changin' the hours so much.
You hain't got a chance to get used to one set o' hours before they get
'em all shifted round again. Last week I was on from eight to eight;
this week it's from twelve to twelve. Lord knows what it's going to be
next week. And this is one o' the best lines in town, too.”
“I presume they pay you pretty well,” said Lemuel, with awakening
interest.
“Well, they pay a dollar 'n' half a day,” said the conductor.
“Why, it's more than forty dollars a month,” said Lemuel.
“Well, it is,” said the conductor scornfully, “if you work every day in
the week. But I can't stand it more than six days out o' seven; and
if you miss a day, or if you miss a trip, they dock you. No, sir. It's
about the meanest business _I_ ever struck. If I wa'n't a married man,
'n' if I didn't like to be regular about my meals and get 'em at home
'th my wife, I wouldn't stand it a minute. But that's where it is. It's
regular.”
A lady from within signalled the conductor. He stopped the car, and the
lady, who had risen with her escort, remained chatting with a friend
before she got out. The conductor snapped his bell for starting, with a
look of patient sarcasm. “See that?” he asked Lemuel. “Some these women
act as if the cars was their private carriage; and _you_ got to act so
_too_, or the lady complains of you, and the company bounces you in a
minute. Stock's owned along the line, and they think they own _you_ too.
You can't get 'em to set more than ten on a side; they'll leave the car
first. I'd like to catch 'em on some the South End or Cambridge cars.
I'd show 'em how to pack live stock once, anyway. Yes, sir, these ladies
that ride on this line think they can keep the car standin' while they
talk about the opera. But you'd ought to see how they all look if a
_poor_ woman tries their little game. Oh, I tell you, rich people are
hard.”
Lemuel reflected upon the generalisation. He regarded Miss Vane as a
rich person; but though she had blamed him unjustly, and had used him
impatiently, even cruelly, in this last affair, he remembered other
things, and he said--
“Well, I don't know as I should say all of them were hard.”
“Well, may be not,” admitted the conductor. “But I don't envy 'em. The
way I look at it, and the way I tell my wife, I wouldn't want their
money 'f I had to have the rest of it. Ain't any of 'em happy. I saw
that when I lived out. No, sir; what me and my wife want to do is to
find us a nice little place in the country.”
Public-domain text, read in full here on John Shaqi.
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