There were also baths at Knossos. At any rate, a good many people think
they were baths. Professor Mosso thinks they were chapels--a good
instance of the excitement which attaches to archæological research.
There is no arrangement, says Professor Mosso, for the supply or
discharge of water, a provision which, he argues, is necessary for
a bath; moreover, the basin is lined with gypsum, which is soluble
in water; one of them was placed in the Throne Room; and, finally,
they were not private. Professor Mosso’s subtle eye even detects an
enclosure, which he maintains was not put there for spectators of the
bath, but for a chapel choir. These are attractive arguments, but Dr.
Burrows answers quite simply that (1) the gypsum argument is ruled
out because it would be covered with plaster; (2) terra-cotta tubs
have been found close at hand, and the Knossians might quite well have
been content with tubbing instead of plunging into a large tank that
needed elaborate pipes; (3) the bath in the Throne Room was used for
ceremonial ablutions, for which little water would be needed; and (4)
no objects suggesting any cult (such as images or altars) have been
found to show that these places were chapels.
Or take the lighting arrangements. There was a system of shafts used
at Knossos, at Tylissos (a little palace a few miles west of Knossos),
at Phæstos, and at Hagia Triada. The light came down vertically at
the back of the room, where the roof had been left uncovered for the
purpose, and the floor specially cemented to stand exposure to the
weather. While Sir Arthur Evans speaks of the light “pouring in between
the columns” in one place, and in another of its “stealing in in cooler
tones,” Dr. Burrows was of opinion that in the latter case the cooler
tones were so cool that lamps had to be used. Many lamps have, in
fact, been found there. Big marble-standard lamps have also been found,
which probably held two or even four wicks; one of them was found in a
niche on a staircase at Tylissos.
Public-domain text, read in full here on John Shaqi.
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