The establishment of the existence of the Mediterranean race has had,
among other results, that of making it no longer possible, as was
invariably the practice before Crete was excavated, of ascribing all
obscure factors in the beginnings of Greece to a Phœnician origin.
We now know, for instance, that the art of writing came from Crete,
Phœnicia being the medium; and that Phœnicia itself was merely a late
centre of the general Ægean civilization, and got its name merely
because it was the best-known branch of the “red-skinned” race; for
“Phœnikes” literally means “Red-skins,” and in Homer Phœnix himself is
a King of Crete and grandfather of Minos.
The Minoan people, then, formed part of the Mediterranean race. Their
dress was much simpler than that of the classical Greeks. The men wore
a short pair of drawers or a loin-cloth, the upper part of the body
being bare, as in the cupbearer picture, a style emanating, as did
the men themselves, from the warm lands south of the Mediterranean.
Egyptian fresco-paintings reveal an almost exact analogy of type in the
clothing and appearance of the Egyptians. Those who have a keen eye for
the persistence of type may compare some of the forms of loin-cloth, as
depicted on seal stones, with the “brakais,” or baggy breeches, still
worn in Crete. Elders and officials apparently wore flowing cloaks for
their greater dignity. High-topped boots--again suggestive of those
worn to-day--were in general use. Men wore their hair long as did the
women, plaited and coiled up on the top of the head, thereby forming
the only headdress that was used.
Minoan war-equipment was limited. Their only weapons were a long
sword and a dagger, the latter of which is shown by pictures of clay
figurines to have been carried inside the belt at the front. Their only
defensive armour was a big shield of leather and a leather conical
helmet. The shield was framed in a metal band, but had no handle or
central boss; it was big enough to cover the body from head to foot,
and it could be bent so as to protect both sides. It is represented
in certain pictures in a curious 8-shape, pinched-in in the middle.
The origin of this may have been that it was the practice to sling it
over the left shoulder suspended by a strap, and for this purpose the
figure-of-eight shape may have been convenient.
Public-domain text, read in full here on John Shaqi.
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