Canadian fiction; Maine -- Fiction; People with disabilities -- Fiction; Poor -- Fiction
The brakeman and a kindly-hearted fellow passenger helped the Flopper
into the train--and thereafter for an hour or more, in a first class
coach, the Flopper held undisputed sway. The passengers, flocking from
the other cars, filled the aisle and seriously interfered with the
lordly movements of the train crew, challenging the conductor's
authority with passive indifference until that functionary, exasperated
beyond endurance, threatened to curtail the ride the Flopper had paid
for and put him off at the next station--whereat the passive attitude of
the passengers vanished. The American public is always interested in a
novelty, and on occasions is not to be gainsaid--the American public, as
represented by the patrons of the Bar Harbor express, was interested at
the moment in the Flopper, and they passed the conductor from hand to
hand--it was the only way he could have got through the car--and
deposited him outside in the vestibule to tell his troubles to the
buffer-plate.
The Flopper was in deadly, serious earnest; there was no doubt, no
possible room for doubt on that score--one had but to look at the flush
upon his cheeks and note the ring of conviction in his voice. Even Pale
Face Harry's gibes and sneers melted before the unshakable assurance,
and he became, with reservations, noticeably impressed.
A metropolitan newspaper man was struck with the idea of a humorous
series of articles to pay for his vacation, entitled, "Characters I Have
Met In Maine"--and forthwith, perched on the back of the seat behind the
Flopper, proceeded to sketch out the first one, with the mental
determination to get off at Needley for the local color necessary to its
climax.
A soap drummer nudged a fellow drummer whose line was lingerie.
"Ever do Needley?" he grinned.
The lingerie exponent had a sense of humor--he grinned back.
"My house is everlastingly rubbing it into me to open up new territory,"
said the soap salesman.
"Me too," responded the white-goods man.
"Needley," said he of the soap persuasion, "would be virgin soil for any
drummer."
"I'd like to see the finish," said the lingerie man--still grinning.
"Well?" inquired the soap man--still grinning. "What do you say?"
"You bet!" said the man with eight trunks full of daintiness in the
baggage car ahead. "It's Needley for ours--you're on!"
The Flopper was an artist--and he was in his glory. Where his position
was indubitably weak, he side-stepped with the frank admission that he
knew no more than they. He knew only one thing, and that was the only
thing he cared about, the rest made no odds to him, he was going down to
Needley to be cured--and he let them see Mr. Higgins' letter.
A porter from the rear car squirmed and wriggled his way down to the
seat occupied by the Flopper.
"Mistah Tho'nton, sah," he announced importantly, "would like to see you
in his private car, if you could done make it convenient, sah."
"Sure!" said the Flopper.
Public-domain text, read in full here on John Shaqi.
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