The Miracles of Antichrist: A NovelLagerlöf, Selma
General
The Miracles of Antichrist: A Novel
Lagerlöf, Selma
Sicily (Italy) -- Fiction; Socialism -- Fiction
Ah, now she must be glad, be content! But she was not. She felt the most
terrible pain.
She could not go. Her father was allowed to remain, and so she must be
faithful to Don Ferrante. She struggled to understand. It was so. She
could not go.
She tried to change it in some way. Perhaps it was a false conclusion.
She had been so confused. No, no, it was so, she could not.
Then she became tired unto death. She had travelled and travelled the
whole day. She had been so long on the way. And she would never get
there. She sank down. A torpor and faintness came over her. There was
nothing to do but to rest after the endless journey she had made. But
that she could never do. She began to weep because she would never reach
her journey’s end. Her whole life long she would travel, travel, travel,
and never reach the end of her journey.
VIII
TWO SONGS
It was the morning after the day when San Pasquale’s bells had rung;
and Donna Elisa sat in her shop and counted her money. The day before,
when everyone had been afraid, there had been an incredible sale in the
shop, and the next morning, when she had come down, she had at first
been almost frightened. For the whole shop was desolate and empty; the
medallions were gone, the wax candles were gone, and so were all the
great bunches of rosaries. All Gaetano’s beautiful images had been taken
down from the shelves and sold, and it was a real grief to Donna Elisa
not to see the host of holy men and women about her.
She opened the money-drawer, and it was so full that she could hardly
pull it out. And while she counted her money she wept over it as if it
had all been false. For what good did it do her to possess all those
dirty lire and those big copper coins when she had lost Gaetano!
Alas! she thought that if he had stopped at home one day more he would
not have needed to go, for now she was laden down with money.
While she was counting she heard the post-carriage stop outside her door.
But she did not even look up; she did not care what happened, since
Gaetano was gone. Then the door opened, and the bell rang violently. She
only wept and counted. Then some one said: “Donna Elisa, Donna Elisa!”
And it was Gaetano!
“But heavens! how can you be at home?” she cried.--“You have sold all
your images. I had to come home to carve new ones for you.”--“But how
did you find out about it?”--“I met the post-carriage at two o’clock in
the night. Rosa Alfari was in it, and she told me everything.”--“What
luck that you went down to the post-carriage! What luck that you happened
to think of going down to the post-carriage!”--“Yes; was it not good
fortune?” said Gaetano.
In less than an hour Gaetano was again standing in his workshop; and
Donna Elisa, who had nothing at all to do in her empty shop, came
incessantly to the door to look at him. No, was he really standing there
and carving? She could not let five minutes pass without coming to look
at him.
Public-domain text, read in full here on John Shaqi.
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