The Miraculous Medal: Its Origin, History, Circulation, Results — John Shaqi
The Miraculous Medal: Its Origin, History, Circulation, ResultsAladel, Jean-Marie
Religion
The Miraculous Medal: Its Origin, History, Circulation, Results
Aladel, Jean-Marie
Labouré, Catherine, Saint, 1806-1876; Mary, Blessed Virgin, Saint; Miraculous Medal
About half-past eleven o'clock, she hears her name, "Sister Labouré,"
distinctly called three times; suddenly awaking, she opens her curtain
on the side whence the voice proceeds, and what does she perceive? A
little child of ravishing beauty, four or five years of age, dressed
in white and enveloped in the radiant light beaming from his fair hair
and noble person. "Come," said he, in a melodious voice, "come to the
chapel, the Blessed Virgin awaits you." But, thought Sister Catherine
(she slept in a large dormitory), the others will hear me, I shall be
discovered. "Have no fears," said the child, answering her thought, "it
is half-past eleven, everybody is asleep, I will accompany you."
At these words, no longer able to resist the invitation of her amiable
guide, Sister Catherine dresses hastily and follows the child, who
walks always at her left, illuming the places through which he passes;
and everywhere along their path, to the Sister's great astonishment,
does she find the lamps lighted. Her surprise redoubles, on seeing the
door open at the child's touch, and on finding the altar resplendent
with lights, "reminding her," she said, "of the midnight Mass."
The child conducts her into the sanctuary; here she kneels, whilst her
celestial guide remains standing a little behind at her left.
The moments of waiting seem long to Sister Catherine; at last, about
midnight, the child says to her: "Behold the Blessed Virgin, behold
her!" At that instant, she distinctly hears on the right hand side of
the chapel, a slight noise, like the rustling of a silk robe; a most
beautiful lady enters the sanctuary, and takes her seat in the place
ordinarily occupied by the Director of the Community, on the left side
of the sanctuary. The seat, the attitude, the costume (a white robe of
a golden tinge and a blue veil), strongly resemble the representation
of St. Anne in the picture adorning the sanctuary. Yet it is not
the same countenance, and Sister Catherine is struggling interiorly
against doubt. Can this indeed be the Blessed Virgin? she asks herself.
Suddenly, the little child, assuming the voice of a man, speaks aloud,
and in severe words asks her if the Queen of Heaven may not appear to a
poor mortal under whatever form she pleases.
Her doubts all vanish, and following only the impulses of her heart,
the Sister throws herself at the Blessed Virgin's feet, familiarly
placing her hands upon the Blessed Virgin's knees, like a child beside
its mother.
Public-domain text, read in full here on John Shaqi.
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