Chinese -- England -- Fiction; England -- Fiction; Epistolary fiction; Humorous stories
The voice of one singing at the dawn;
The seven harmonious colours in the sky;
The meeting by the fountain;
The exchange of gifts, and the sound of the processional drum;
The emotion of satisfaction in each created being;
This is the all-prominent indication of the Spring.
The general disinclination to engage in laborious tasks;
The general readiness to consume voluminous potions on any pretext.
The deserted appearance of the city and the absence of the come-in motion at every door;
The sportiveness of maidens, and even those of maturer age, ethereally clad, upon the shore.
The avowed willingness of merchants to dispose of their wares for half the original sum.
This undoubtedly is the Summer.
The yellow tea leaf circling as it falls;
The futile wheeling of the storm-tossed swan;
The note of the marble lute at evening by the pool;
The immobile cypress seen against the sun.
The unnecessarily difficult examination paper.
All these things are suggestive of the Autumn.
The growing attraction of a well-lined couch.
The obsequious demeanour of message-bearers, charioteers, and the club-armed keepers of peace.
The explosion of innumerable fire-crackers round the convivial shrines,
The gathering together of relations who at all other times shun each other markedly.
The obtrusive recollection of a great many things contrary to a spoken vow, and the inflexible purpose to be more resolute in future.
These in turn invariably attend each Winter.
It certainly had not presented itself to me before that the words
“invariably attend” are ill-chosen, but as I would have uttered them
their inelegance became plain, and this person made eight conscientious
attempts to soften down their harsh modulation by various interchanges.
He was still persevering hopefully when he of chief authority approached
and requested that the one who was thus employed and that same other
would leave the hall tranquilly, as the all-water entertainment was
at an end, and an attending slave was in readiness to extinguish the
lanterns.
“Yet,” I protested unassumingly, “that which has so far been expressed
is only in the semblance of an introductory ode. There follow--”
“You must not argue with the Chair,” exclaimed another interposing his
voice. “Whatever the Chair rules must be accepted.”
“The innuendo is flat-witted,” I replied with imperturbable dignity, but
still retaining my hold upon the rail. “When this person so far loses
his sense of proportion as to contend with an irrational object, devoid
of faculties, let the barb be cast. After that introduction dealing with
the four seasons, the twelve gong-strokes of the day are reviewed in a
like fashion. These in turn give place to the days of the month, then
the moons of the year, and finally the years of the cycle.”
Public-domain text, read in full here on John Shaqi.
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