Grosely, in his "Tour to London,"[4] says, (relating to Ranelagh and Vauxhall,) "These entertainments, which begin in the month of May, are continued every night. They bring together persons of all ranks and conditions; and amongst these, a considerable number of females, whose charms want only that cheerful air, which is the flower and quintessence of beauty. These places serve equally as a rendezvous either for business or intrigue. They form, as it were, private coteries; there you see fathers and mothers, with their children, enjoying domestic happiness in the midst of public diversions. The English assert, that such entertainments as these can never subsist in France, on account of the levity of the people. Certain it is, that those of Vauxhall and Ranelagh, which are guarded only by outward decency, are conducted without tumult and disorder, which often disturb the public diversions of France. I do not know whether the English are gainers thereby; the joy which they seem in search of at those places does not beam through their countenances; they look as grave at Vauxhall and Ranelagh as at the Bank, at church, or a private club. All persons there seem to say, what a young English nobleman said to his governor, _Am I as joyous as I should be?_" P. T. W. [4] 1765, translated from the French by Thomas Nugent, LL.D. * * * * * FINE ARTS. * * * * * THE CHIEF CAUSES OF THE SUCCESS OF PAINTING AND SCULPTURE IN GREECE AND ROME. (_For the Mirror._) A cursory glance at the principal occasion of the amazing success obtained by the Greeks and Romans, in painting and sculpture, during the early ages, may perhaps prove interesting to the lovers of the arts in this country.