The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 265, July 21, 1827 — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 265, July 21, 1827Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 265, July 21, 1827
Various
Popular literature -- Great Britain -- Periodicals
But during many ages the article most in use, and of which the
consumption was so great as to form a principal branch of the commerce
of the Mediterranean, was that manufactured from the papyrus of Egypt.
Many manuscripts written upon this kind of paper in the sixth, and some
even so early as the fourth century, are still extant. It formed the
material of by far the larger proportion of all books from very early
times till about the seventh or eighth century, when it gradually gave
place to a still more convenient manufacture.
The papyrus, or Egyptian reed, grew in vast quantities in the stagnant
pools formed by the inundations of the Nile. The plant consists of a
single stem, rising sometimes to the height of ten cubits; this stem,
gradually tapering from the root, supports a spreading tuft at its
summit. The substance of the stem is fibrous, and the pith contains a
sweet juice. Every part of this plant was put to some use by the
Egyptians. The harder and lower part they formed into cups and other
utensils; the upper part into staves, or the ribs of boats; the sweet
pith was a common article of food; while the fibrous part of the stem
was manufactured into cloth, sails for ships, ropes, strings, shoes,
baskets, wicks for lamps, and, especially, into paper. For this purpose
the fibrous coats of the plant were peeled off, the whole length of the
stem. One layer of fibres was then laid across another upon a block, and
being moistened, the glutinous juice of the plant formed a cement,
sufficiently strong to give coherence to the fibres; when greater
solidity was required, a size made from bread or glue was employed. The
two films being thus connected, were pressed, dried in the sun, beaten
with a broad mallet, and then polished with a shell. This texture was
cut into various sizes, according to the use for which it was intended,
varying from thirteen to four fingers' breadth, and of proportionate
length.
By progressive improvements, especially in the hands of the Roman
artists, this Egyptian paper was brought to a high degree of perfection.
In later ages it was manufactured of considerable thickness, perfect
whiteness, and an entire continuity and smoothness of surface. It was,
however, at the best, so friable that when durability was required the
copyists inserted a page of parchment between every five or six pages of
the papyrus. Thus the firmness of the one substance defended the
brittleness of the other; and great numbers of books so constituted have
resisted the accidents and decays of twelve centuries.
Public-domain text, read in full here on John Shaqi.
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