The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 267, August 4, 1827 — John Shaqi
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 267, August 4, 1827Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 267, August 4, 1827
Various
Popular literature -- Great Britain -- Periodicals
There is a fashion in reading as well as in dress, which lasts only for
a season. One would imagine that books were, like women, the worse for
being old;[2] that they have a pleasure in being read for the first
time; that they open their leaves more cordially; that the spirit of
enjoyment wears out with the spirit of novelty; and that, after a
certain age, it is high time to put them on the shelf. This conceit
seems to be followed up in practice. What is it to me that another--that
hundreds or thousands have in all ages read a work? Is it on this
account the less likely to give me pleasure, because it has delighted so
many others? Or can I taste this pleasure by proxy? Or am I in any
degree the wiser for their knowledge? Yet this might appear to be the
inference. _Their_ having read the work may be said to act upon us by
sympathy, and the knowledge which so many other persons have of its
contents deadens our curiosity and interest altogether. We set aside the
subject as one on which others have made up their minds for us, (as if
we really could have ideas in their heads,) and are quite on the alert
for the next new work, teeming hot from the press, which we shall be the
first to read, to criticise, and pass an opinion on. Oh, delightful! To
cut open the leaves, to inhale the fragrance of the scarcely-dry paper,
to examine the type, to see who is the printer, (which is some clue to
the value that is set upon the work,) to launch out into regions of
thought and invention never trod till now, and to explore characters
that never met a human eye before--this is a luxury worth sacrificing a
dinner party, or a few hours of a spare morning to. Who, indeed, when
the work is critical and full of expectation, would venture to dine out,
or to face a _coterie_ of blue stockings in the evening, without having
gone through this ordeal, or at least without, hastily turning over a
few of the first pages while dressing, to be able to say that the
beginning does not promise much, or to tell the name of the heroine?
[2] "Laws are not like women, the worse for being old."--_The
Duke of Buckingham's Speech in the House of Lords, in Charles
the Second's time_.
Public-domain text, read in full here on John Shaqi.
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