The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 274, September 22, 1827Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 274, September 22, 1827
Various
Popular literature -- Great Britain -- Periodicals
But, ah! the poor Count--amiable, patient, and long-suffering Gaul! He was
an unhappy refugee, who had sought a home, by becoming the reviled,
insulted teacher of his native tongue to a mob of heartless ruffians. How
well do I remember his neat but thread-bare coat and pigtail; his stooping
gait, not the decrepitude of age, but as though it sprang from the
abasement of his fortune; his endurance of injury to a certain point, when
patience suddenly forsook him, and his, to us, irresistibly comic rage and
exasperation! What would that generous seaman Pipes have thought a
defenceless Frenchman fit for, but as the object of spirited and
well-conducted pranks? Nothing cruel or revengeful, but only to show our
own superior wit and address in concerted and premeditated annoyance.
I had gained with a most surprising rapidity upon the confidence of the
most conspicuous rioters in the school. There was something so noble and
daring in all my designs, that they seemed to yield willingly to so
superior a spirit. The sudden alteration in my manners had been noticed
with secret wonder by the masters, and they, thinking to check my fatal
tendencies at the outset, had inflicted on me several severe and
well-merited chastisements. I converted even these into means of extending
my influence. I had borne them like a hero, a very Peregrine. No groan--no
sigh--no bellowing promise of amendment, had lessened my dignity. Under the
torture, I was sullen and silent. The stoutest heart in the school envied
my manhood and composure.
The poor French teacher had been the hereditary object of annoyance for
several generations of boys. The meekest and most chicken-hearted scrubs in
the school tried their apprenticeship to mischief upon him, and were
tutored to more noble game by beginning with the Count. They split and cut
his pens into a thousand fantastic shapes during a momentary absence; they
filled his snuff with the most odious pulverulents. They placed on his desk
rude, but expressive designs of a guillotine, with a meagre fellow in
ruffles and no shirt, running in the extremity of speed from the spot.
These, and a thousand exhibitions of budding genius, and original sin, were
our daily subjects of merriment and applause. I taught them nobler arts, or
rather the spirit of Pickle which spake within me. It was nothing to annoy
on such a petty and momentary scale; let the art and forethought of
Hatchway be exhibited.
Public-domain text, read in full here on John Shaqi.
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