The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 274, September 22, 1827Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 274, September 22, 1827
Various
Popular literature -- Great Britain -- Periodicals
Burckhardt, in his "Travels through Syria," &c. informs us, that at
Tiberias, one of the four holy cities of the Talmud, the Jews observe a
singular custom in praying. While the rabbin recites the Psalms of David,
or the prayers extracted from them, the congregation frequently imitate, by
their voice or gestures, the meaning of some remarkable passages; for
example, when the rabbin pronounces the words, "Praise the Lord with the
sound of the trumpet," they imitate the sound of the trumpet through their
closed fists. When "a horrible tempest" occurs, they puff and blow to
represent a storm; or should he mention "the cries of the righteous in
distress," they all set up a loud screaming; and it not unfrequently
happens, that while some are still blowing the storm, others have already
begun the cries of the righteous, thus forming a concert which it is
difficult for any but a zealous Hebrew to hear with gravity.
CHARACTER OF THE KARPIANS, (ARABS.)
They are such consummate thieves and rogues, that, according to an ancient
tradition still current among them, they once tricked the devil himself.
The story is as follows:--The devil had acquired a right to their fields,
on which they agreed with him, that when their crops were ripe, they should
retain the upper part and the devil should have the lower. They sowed all
their lands with wheat, and the devil of course had nothing but the straw
for his share. Next year the old gentleman, fully determined not to be
again so bamboozled, stipulated that the upper part should belong to him
and the lower to the Karpians; but then they sowed all their grounds with
beet, turnips, and other esculent roots, and so the devil got nothing but
the green tops for his portion.
_Memoirs of Artemi._
THE MODERN WELSH.
The people of the principality are clean and industrious; there is,
however, in the nature of a Welshman such a hurriness of manner and want of
method, that he does nothing well; for his mind is over anxious, diverted
from one labour to another, and hence every thing is incomplete, and leaves
the appearance of confusion and negligence. The common exercises of the
Welsh are running, leaping, swimming, wrestling, throwing the bar,
dancing, hunting, fishing, and playing at fives against the church or
tower; and they constitute the joy of youth, and the admiration of old age.
The convivial amusements are singing and versification. In these favourite
exercises the performers are of humble merit; the singing is mere roar and
squeak; and the poetical effusions are nonsense, vested in the rags of
language; and always slanderous, because the mind of the bard is not
fertile in the production of topics. The Welsh character is the echo of
natural feeling, and acts from instantaneous motives. The fine arts are
strangers to the principality; and the Welshman seldom professes the
buskin, or the use of the mallet, the graver, or the chisel; but although
deficient in taste, he excels in duties and in intellect.
Public-domain text, read in full here on John Shaqi.
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