Coates's lean Quixotic form, being duly clothed in velvets and in silks, and his bonnet richly fraught with diamonds, (whence his appellation,) his entrance on the stage was greeted by such a general crowing, (in allusion to the large cocks, which as his crest adorned his harness,) that the angry and affronted Lothario drew his sword upon the audience, and actually challenged the rude and boisterous inhabitants of the galleries, _seriatim_, or _en masse_, to combat on the stage. Solemn silence, as the consequence of mock fear, immediately succeeded. The great actor, after the overture had ceased, amused himself for some time with the baron, ere he condescended to indulge the wishes of an anxiously expectant audience. At length he commenced; his appeals to his heart were made by an application of the left hand so disproportionably lower than the "seat of life" has been supposed to be placed; his contracted pronunciation of the word "breach," and other new readings and actings, kept the house in a right joyous humour, until the climax of all mirth was attained by the dying scene of "the gallant and the gay;" but who shall describe the prolonged agonies of the dark seducer! his platted hair escaping from the comb that held it, and the dark crineous cordage that flapped upon his shoulders in the convulsions of his dying moments, and the cries of the people for medical aid to accomplish his eternal exit. Then, when in his last throes his bonnet fell, it was miraculous to see the defunct arise, and after he had spread a nice handkerchief on the stage, and there deposited his head-dress, free from impurity, philosophically resume his dead condition; but it was not yet over, for the exigent audience, not content "that when the man were dead, why there an end," insisted on a repetition of the awful scene, which the highly flattered corpse executed three several times to the gratification of the cruel and torment-loving assembly.