The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 283, November 17, 1827Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 283, November 17, 1827
Various
Popular literature -- Great Britain -- Periodicals
I may, however, before dismissing the subject, allude to the various
localities which have been affixed to some of the, scenery introduced into
these novels, by which, for example, Wolf's-Hope is identified with Fast
Castle, in Berwickshire; Tillietudlem with Draphane, in Clydesdale; and the
valley in the "Monastery," called Glendearg, with the dale of the Allan,
above Lord Somerville's villa, near Melrose. I can only say, that, in these
and other instances, I had no purpose of describing any particular local
spot; and the resemblance must therefore be of that general kind which
necessarily exists betwixt scenes of the same character. The iron-bound
coast of Scotland affords upon its headlands and promontories fifty such
castles as Wolf's-Hope; every country has a valley more or less resembling
Glendearg; and if castles like Tillietudlem. or mansions like the Baron of
Bradwardine's, are now less frequently to be met with, it is owing to the
rage of indiscriminate destruction, which has removed or ruined so many
monuments of antiquity, when they were not protected by their inaccessible
situation.--The scraps of poetry which have been in most cases tacked to
the beginning of chapters in these novels, are sometimes quoted either from
reading or from memory, but, in the general case, are pure invention. I
found it too troublesome to turn to the collection of the British poets to
discover apposite mottos, and, in the situation of the theatrical
mechanist, who, when the white paper which represented his shower of snow
was exhausted, continued the storm by snowing brown, I drew on my memory as
long as I could, and when that failed, eked it out with invention. I
believe that, in some cases, where actual names are affixed to the supposed
quotations, it would be to little purpose to seek them in the works, of the
authors referred to.--And now the reader may expect me, while in the
confessional, to explain the motives why I have so long persisted in
disclaiming the works of which I am now writing. To this it would be
difficult to give any other reply, save that of Corporal Nym--It was the
humour or caprice of the time.
Public-domain text, read in full here on John Shaqi.
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