The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 286, December 8, 1827Various
General
The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 286, December 8, 1827
Various
Popular literature -- Great Britain -- Periodicals
Note: Project Gutenberg also has an HTML version of this
file which includes the original illustration.
See 11412-h.htm or 11412-h.zip:
(http://www.ibiblio.org/gutenberg/1/1/4/1/11412/11412-h/11412-h.htm)
or
(http://www.ibiblio.org/gutenberg/1/1/4/1/11412/11412-h.zip)
THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
VOL. 10, NO. 286.] SATURDAY, DECEMBER 8, 1827. [PRICE 2d.
* * * * *
[Illustration: Caxton's House in the Almonry, Westminster.]
To expatiate on the advantages of printing, at this time of day, would
be "wasteful and ridiculous excess." We content ourselves with the
comparison of Dryden's
"Long trails of light descending down."
In a retrospective glance at our previous volumes (for can the
phrenologists tell us of a head capacious enough to contain their
exhaustless variety?) our readers will perceive that, from time to
time, sundry "accounts" of the origin and progress of printing have
been inserted in the MIRROR;[1] and though we are not vain enough to
consider our sheet as the "refined gold, the lily, the violet, the
ice, or the rainbow," of the poet's perfection, yet in specimens of
the general _economy of the art_, the long-extended patronage of the
public gives us an early place.
With an outline of the life of CAXTON our readers must be already
familiar; but we wish them to consider the above accurate
representation of the FIRST ENGLISH PRINTER'S RESIDENCE as antecedent
to a _Memoir of Caxton_, in which it will be our aim to concentrate,
in addition to biographical details, many important facts from the
testimony of antiquarians; for scarcely a volume of the _Archaeologia_
has appeared without some valuable communication on Caxton and his
times.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account