Come to the Sun-set Tree! The day is past and gone; The woodman's axe lies free, And the reaper's work is done. The twilight-star to Heaven, And the summer-dew to flowers, And rest to us is given By the cool soft evening hours. Sweet is the hour of rest! Pleasant the wind's low sigh, And the gleaming of the west, And the turf whereon we lie. When the burden and the heat Of labour's task are o'er, And kindly voices greet The tired one at his door. Come to the Sun-set Tree! The day is past and gone; The woodman's axe lies free, And the reaper's work is done. Yes: tuneful is the sound That dwells in whispering boughs: Welcome the freshness round, And the gale that fans our brows. But rest more sweet and still Than ever night-fall gave, Our longing hearts shall fill, In the world beyond the grave. There shall no tempest blow, No scorching noon-tide heat; There shall be no more snow, No weary wandering feet. And we lift our trusting eyes, From the hills our fathers trod. To the quiet of the skies, To the sabbath of our God. Come to the Sun-set Tree! The day is past and gone: The woodman's axe lies free, And the reaper's work is done. We have only room to particularize the _Boroom Slave_, by Mrs. Bowditch; the _Magician's Visiter_, by Neele; and _Scenes in the Life of a Favourite_; all which possess very powerful interest. Mr. Hood, too, has two oddities--_Death in the Kitchen_, after Sterne, and the _Logicians_, accompanied by engravings. Indeed, the literary variety of the present _Forget Me Not_ is highly creditable to the editor, Mr. Shoberl. * * * * * _Friendship's Offering_. To begin with the exterior, which is somewhat novel in taste, the proprietors seem to have united the _utile cum dulci,_ by substituting for the usual paper covering, an elegantly embossed leather binding. This is altogether an improvement on the original plan, since the slight coverings of silk or paper is scarcely safe out of the drawing-room or boudoir, and some of the contributions to the "annuals" entitle them to a higher stand. The presentation plate of the present _Offering_ is a chaste and classical specimen of a kind of gold enamel engraving; _The Sylph_, engraved by Humphreys, is a pleasing picture; _Virginia Water_, from a picture by Daniell, is a delightful scene of rural repose; a _Sculpture Group_, by Fry; a _View of Bombay_; and the _Captive Slave_, by Finden; among the embellishments, are entitled to our commendatory notice.