The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 321, July 5, 1828Various
History
The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 321, July 5, 1828
Various
Popular literature -- Great Britain -- Periodicals
Produced by The Mirror of Literature, Amusement, and
Instruction Jon Ingram, Charles Franks and the Online
Distributed Proofreading Team
THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
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[NO. 321.] SATURDAY, JULY 5, 1828. [PRICE 2d.]
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EATON HALL, CHESHIRE,
_The Seat of the Rt. Hon. Earl Grosvenor_.
[Illustration]
This mansion is a princely specimen of Gothic architecture; and is in
every respect calculated for the residence of its noble possessor, whose
taste and munificence in patronizing the Fine Arts are well known to our
readers. Nevertheless, it is worthy of special remark, that not only is
the name of GROSVENOR conspicuous in this patronage, but his lordship
has further evinced his love of art in the construction of one of the
most splendid buildings in the whole empire,--the present mansion having
been completed within a few years.[1] Here the noble founder seems to
have realized all that the ingenious Sir Henry Wotton considered
requisite for a man's "house and home--the theatre of his hospitality,
the seat of self-fruition, a kind of PRIVATE PRINCEDOM; nay, to the
possessors thereof, an epitome of the whole world."
[1] At this moment, Earl Grosvenor has in progress a splendid
gallery for the reception of his superb collection of pictures,
adjoining his town mansion, in Grosvenor-street. This is one of
the few "Private Collections" to which, through the good taste
and courtesy of the proprietor, the public are admitted, on
specified days, and under certain restrictions. The nucleus of
Earl Grosvenor's collection, was the purchase of Mr. Agar's
pictures for L30,000; since which it has been enlarged, till it
has at length become one of the finest in England. In the
drawing-room at Eaton are, _Our Saviour on the Mount of Olives_,
by Claude Lorraine, which is the largest painting known to have
been executed by him; and _A Port in the Mediterranean_, by
Vernet. In the dining-room, _Rubens with his Second Wife_; by
himself; and _The Judgment of Paris_, a copy, by Peters, after
Rubens. In the dressing-room of the state bed-room, _David and
Abigail_, also by Rubens. Over the ornamented chimney-pieces of
the hall are, West's _Dissolution of the Long Parliament_, and
_The Landing of Charles the Second_.
Public-domain text, read in full here on John Shaqi.
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